"Death Speeder" is actually a "Life and Death Sniper"-style movie. The process design of Death Speeder is very careful. The whole thing is dirty and dark, but the walls of the car can actually be bright enough to reflect. It feels like a giant beast bursting out of the ground at any time. However, except for Joe, other drivers GG are too fast. In fact, they are so cool that they don’t need so many special effects in front of them. (I watched 110 minutes, I don’t know if they have been deleted.) There are no such cool names from 14K. Giving him extra shots feels like a waste. The cruiser in the middle has to admit that it's really fucking shocking. George Miller's "Mad Max 4" has a lot of inspiration in the design of the car, especially the big milk tanker of Frieza, but Max is very good overall. The bright red and yellow tones, the style is very strange, and Miller is shooting in the desert and the Gobi. I can only say how can you have such a good idea! The desert is both natural and lifeless, and the meaning of this background is really fucking amazing. Although on the surface "Death Drive" and "Mad Max" are similar, but at a deep level they are already two kinds of movies, "Death Drive" is more similar to "Sniper" in essence: The warriors who have been cornered by fate and have nowhere to escape use all the energy of their own power to resist the forces they can't resist - so in fact "Death on Speed" does not need an ending, or a good ending at all. If you want to do a sequel, you don't need to kill the female boss. When the female boss dies, the audience's heart will be relieved, and the suspense will actually lose more than half. The final ending is really better not to, it's just an anti-the finishing touch, this is too bloody, even bloodier than a soap opera, how do you think a person is strong to resist the power of a whole prison, even if he escapes from the prison, he can't Escape from the pursuit of the entire society. As long as he cannot get out through legal channels, he will be in the process of absconding and being arrested all the time. There's a pen at the end, bull shit! Love can neither be sent, nor eaten, nor driven, nor will it become a death-free gold medal, the notes are done! (From this point of view, "Life and Death Sniper" is much stronger in depth, although they are actually good films.) I can't help but compare him with "Mad Max 4". . Compared with women, the focus of women in "Death Speed" is obviously still at the level of looking at the chest, but she is still very handsome wearing a mask to replace the protagonist, and should give a more obvious close-up under the light of the elevator. The Victoria's Secret Angel in "Mad Max 4" has obviously surpassed the peak of the chest. When you see the close-up of the vagina-locking protective gear cut out by the director, you can clearly feel the male here. And women may not be free, but their quest for freedom is just as equal and crazy. In addition, Max also decisively rejected the ending of the male and female protagonists kissing me at the end of the bridal chamber. This alone makes it free from vulgarity. In the end, it's pretty cool to sum up, but the mediocre at the end made me feel like I was stuck in my throat.
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