The protagonist and the original hero are essentially "children": no actual malice, acting only for fun rather than actual interests, limited (no greed) (C: Is this a necessary condition for children's films)
Character arc of the protagonist: the original good guy - turned into a bad guy - back to the good guy
Auxiliary line: love (the heroine has an ideal view of perfect love: does not pay attention to everything outside, requires feeling, shared experience, and the quality of appreciation)
Spectacular: Demolition Battle (Superpowers vs Novelty Machines)
Storyline: The protagonist becomes a hero
(Character: For comparison, the original protagonist is the negative of the hero (cowardly/failure/ordinary/evil), but he has the potential to become a hero in his heart (kindness/perseverance/brave/genes?)
Opportunity: Arrange for a reason that the protagonist (and only him) must stand up alone to save the world
Process: small rejection - small victory - smooth development - emotional high point suffered a huge failure (it seems to be a complete failure and can't fight back) - (set up a volt line before using) Jedi counterattack - big victory (winner of fame and fortune, career, family, love, friendship, life))
Harvest: The main source of the character's feeling to the audience is the character's expression (the extremely ugly protagonist only gets the audience's empathy with watery eyes and big melancholy eyes)
Half-feminist heroine: She has a strong personality, is not stupid, does not hold back, is essentially powerless, and provides tips at critical moments
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