The reason why "Crazy Stone" can become a classic and even a masterpiece is not only the superb film technology, but also its humanistic care and social significance. At the most surface level, it reflects the bankruptcy of state-owned enterprises at the turn of the century — those in power colluded with capitalists to sell state-owned assets at a low price — and the employees of state-owned enterprises were in dire straits and betrayed. The gem falls on the only person who is not crazy in the whole film - Bao's wife Xiang; if you go deeper, it is like a contemporary version of "Along the River During Qingming Festival", revealing or metaphorizing the social status quo, international drug trafficking and other plots have been far away from ordinary people The whole film also lacks a solid background like the bankruptcy of a state-owned enterprise, and it is more difficult to follow the previous work in ideology, although "Car Racing" has already stood out among the Chinese comedy films. (with reference)
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