This is a film that some viewers have criticized as fake harmony. . . Harmony is harmonious, but "false". . .
This is a film that has been watched and watched by a person who is falsely harmonious and truly pessimistic. . . Looked and watched, but never expressed any desire to comment. . .
This is a topic that I don't want to comment on, because it seems that this topic does not need to be commented, or even understood and accepted [maybe all that is needed is just to share - take out what you cherish or fear or just exist, selflessly and fearlessly and cherish shared by those who are either feared or simply exist - just like the themes revealed in the film]. . .
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As a pseudo-concordist who doesn't want to fight, likes harmony, even if it's fake. . .
but,
As a true pessimist who cannot be optimistic, he himself does not believe that such false harmony can exist. . .
. . .
This child is not in order to clarify some harmony in the end of the film is true of few words, so, for that matter go to the next issue - about love feelings and standards issues. . .
1. Feel and measure their own love
The characters in the film are all people who are "rich" and "loving", and all kinds of "strangers" who are accidentally related to themselves, their lovers, their partners, and their friends. . . Oops. . . ] Even the "enemy" [the person who temporarily disagrees or disagrees with the rival in love] is full of love. . . It is probably because of the love that overflows everywhere that it has the translation name of "blazing love". . .
Although all classifications seem to be oversimplified, classification is an important and first step in the in-depth analysis of objects, so let's separate them for the time being. . .
The various types of love of various characters generally fall into the following categories:
A. "Joyful" love
This is what is traditionally called "love," and while its chemistry and psychological mechanisms can be tested at any time, it can never be fully elucidated. . . Therefore, it is an eternal mystery how the love of each other arises. . .
It is generally believed that having a lifetime of love is the supreme dream of emotional animals to unremittingly pursue emotional existence. . .
However, more often, this kind of dream is more like an illusion. As soon as it appeared, he disappeared without a trace. . .
Sometimes, he is like a reckless person who intends to pursue eternity. Before he has time to savor his beauty and goodness, his "life" comes to an abrupt end and is eternal. Eternity is coming too fast, and before we have time to appreciate the limited, we will be eternity. . .
Xiangyue's love always begins with perfection and ends with imperfection - "imperfection" is positioned based on the concept of perfection - not disappear and no longer exist, but after mixing with various fragrance notes, Xiangyu's love Love is not easy to be identified by us who are not sensitive enough to smell. . .
The concept of perfection seems to believe that a pleasant love cannot resist the test of time and life, and cannot resist the teasing of various fragrances. . .
Initially , Davide and Sergio had a loving relationship, as did Angelica and Antonio, as did Neville and Roberto. . . After the perfumer stepped in, Davide turned to Lorenzo, Antonio and Rolla. . . Only Neville and Roberto's friendship survived. . . However, their sympathy still cannot escape the description of "malicious" + "true meaning" by the angry person, becoming an employment or service relationship between a "strong woman" and a "manservant", which makes this sympathy lose its tenderness. On the one hand, there is only the unbalanced contrast between the strong and the weak, the initiative and the forced, the superior and the servile. Since then, Xiangyue has changed its taste, and the fragrance of roses has deteriorated and corrupted. . .
All kinds of pleasing fragrances harmonize with each other, which confuses the sense of smell of the person who smells the fragrance, and the thinking and rationality are also chaotic. . .
B. "pity" love
Since it has been impossible to pinpoint exactly what "pity" means, maybe these loves are not really "pity". . .
Lorenzo's father probably felt pity for Davide's love after the loss of his partner. . .
The sportsman's father, initially opposed to his son's choice. . . The father's "excessive" "expectation" keeps the son away from the family and away from the parent's love.
The son is critically ill, the father and Davide met for the first time, and it was also the only time that Weng’s son-in-law met when Lorenzo was alive. Until this time, the father-in-law still couldn’t accept such a unique love for the couple. . . Therefore, on the issue of how to arrange the aftermath, it is more like a continuation of the previous family struggle or contention, the struggle for Lorenzo's free will, and the struggle for the pure and beautiful true desire, but the conscious defender has become a lonely Davide. . .
The father-in-law inspected his son-in-law's love nest and observed and experienced it with the shared mentality that Sergio said. He saw all kinds of love and flow in this love nest. . . Although it is too late to share with the fresh love child, it can be a kind of emotional compensation to get rid of the tangled past. . .
In the corridor of the mortuary, all kinds of entangled loves that meet with Lorenzo, the darling, are accumulating step by step, their respective loves are warming up little by little in everyone's chest, and the movements of the love molecules also follow their steps and heat up. Gradually speeding up, the more and more love molecules gathered together, the mass of things slammed against the inner wall of everyone's chest. . . This may be the cause of the chest pain. . . Finally at the end of the corridor, around the pale and quiet but still beautiful love darling Lorenzo, all kinds of love finally burst out, according to their own paths, without disturbing each other - sad love - although no one will pursue him, but He was still so moving and tragic. . .
The sad and poignant love finally completely moved the father-in-law, and Weng's son-in-law finally reached a final understanding. . . The real sharing is facilitated by sadness and beauty. The love that my father-in-law cherished continued to brew and precipitated, and finally turned into a sentence "This is a difficult time, especially for you, be strong..." ——The loss of a child in old age is already a big deal in the world. Difficulty, and sharing the tragic and beautiful love at this time, let those who face the great difficulties see deeper love, and experience the greater loneliness and hardship transformed from the deep love. . .
I pity you from my own point of view, it is a kind of pity. . .
I pity you from your point of view, it is also a kind of pity. . .
From your point of view, I forgot and ignored the things that I also deserve pity, just like I never needed pity, I only pity you absolutely and completely, and I don’t expect you to reciprocate and pity me in a transactional way. a pity. . .
Although you and I have the same disease, the love of pure pity resists you and I. . .
C. "Self-disciplined" love
It seems more appropriate to describe this kind of love with the word "dark" like "secret love" and "undercurrent", and the class name "self-discipline" seems more objective. . .
Angelica's love for Belgian doctors falls into this category. . .
If Angelica's love for a Belgian doctor is the initial stage of self-disciplined love, then his "advanced" stage is probably a state of insanity - when self-discipline is almost impossible to self-discipline, when it is so dark that people fall into the abyss , this kind of self-discipline is like the critical point where a volcano is about to erupt, it is self-discipline but self-discipline to the point of collapse. . . - This is Rebecca's love for Lorenzo
The two types of self-disciplined love have different mechanisms:
Angelica's self-disciplined love stems from her responsibility to her family, children, and partners. . .
The word " responsibility" not only will not obliterate the subjectivity and authenticity of his love for his partner, but it is precisely when the love reaches a certain level that the need for self-discipline arises. . . Therefore, I am very opposed to the use of responsibility to obliterate those real love -if there is no love, and only mentioning responsibility, coupled with a sense of righteousness, is a kind of nonsense that makes people pregnant. Le is using false morality to hide true ruthless naked deception, which is neither true love nor true responsibility. . .
Rebecca's self-discipline stems from the fact that he is one of the protagonists of that game of love without a lover. . . The hero and heroine are well aware of how the plot like this boring love soap opera is arranged and how it will go on. The hero successfully transformed the flaming red rose fragrance into the gentle and pure narcissus lily fragrance among friends. . . In this way, the heroine's self-discipline is actually a masochism. . . He didn't feel the abuse to the depths and had no "normal" emotions, so when he said goodbye to Lorenzo at the funeral home, he couldn't tell the difference between crying and laughing, between the virtual and the real world. . .
D. A "continuous" love
Sergio was originally Davide's first wife, but after the appearance of the sportsman Lorenzo, Sergio, a self-proclaimed "old-fashioned rabbit", retreated from the light of the lamp into the darkness. . .
However, Sergio is different from Rebecca, although Sergio has also met other people, although Rebecca has also had some connection with Paulo. . . The difference between the two of them is also due to their different objects of love. When Lorenzo met Davide, he hadn't started with Rebecca, and Sergio, who was separated, was obviously a "loser" in this round of chase and play. . .
However, Sergio's attitude towards Davide's "betrayal" and his new lover made him change from a disgraceful "loser" to a firm, flexible and continuous love who can mourn in a timely manner and become a man of adult beauty— - Firmness means that his love for Davide continues and extends, not because Davide "betrayed" himself, but moved; flexibility means that he can accept a "rival in love" and transform a two-person world into three or even three A close circle supported by many people, and "willing" to step down from the position of lover, become a sharer who can calmly share the lover's new love. . . A firm and flexible person who is persistent and knows how to share will not be a heartless person. He is gentle, he is kind, even if he is sharp and mean to each other; a person who is firm and flexible, who is continuous and knows how to share, will never be abused to the point of collapse , he is energetic, he is open, he sticks to the old love, and does not reject any sweet love that may dance again. . . His insistent waiting, his worry and anxiety, his sincere description, his tenderness looking at each other, his passionate glance, he leaned against the wall and hugged his arms weakly, sobbing to a soft figure that trembled and almost cried, Show his kindness. . .
E. "Envy" love
Lorenzo said to Rebecca, I want to be like you. . .
When Angelica and Neville were arguing, they said, I'm not angry, I don't want to fight, I'm jealous, I'm jealous that he did what I wanted to do but didn't dare to do. . .
Angelica met Rolla by chance, perhaps because of her envious love for Antonio and Rolla. . .
It is hypocritical to say that envy is a kind of love. . . This kind of overseas Chinese sentiment is not a simple grievance and grievance under the love of the sword, but a praise for a need and a process of action to satisfy it, even if this need is not tolerated by the world and despised by moral people, even if this This kind of approval can only be surreptitiously carried out in the dark, but who can really deny that this kind of approval did not exist for a single second. . . Perhaps this is the so-called conflict of morality and nature. . . Yet conflict itself exists, and if it exists and is worth sharing, then it seems that sharing a conflicted love may no longer be morally rebellious or unreasonable. . .
F. "Wrong" love
Entering a long-awaited chaotic and orderly love circle, but not really belonging to any stable love circle - this is exactly the kind of little mother Paulo who is in a state of change, or is it Frozen wrong love. . .
He looks forward to a closer love relationship with Rebecca, Lorenzo, and Davied. He takes the initiative to please Neville and Roberto, looking forward to another closer love relationship. He looks forward to interacting with different people to form different love relationships. Whoever is his own, he does not want to change his concept of love, nor does he expect others to change himself because of him. . . However, no matter how much he expects it or how much he lets it be, his love is always wrong, it doesn't match the mood, the person, the time, and even the taste of the cake. . . He was supposed to be the boat with the sails stirring up a pool of spring water, setting off all-round fine-tuning of all kinds of subtle love relationships, but he always ended up as a shadow man—not as much as him, not as much as him—invisibility. . .
Second, the changing but not illusory fragrance
In addition to all kinds of love, each person's own love is also constantly changing and adjusting in the transformation of the relationship. The connotation of all kinds of love is richer, and there is more fluidity between all kinds of love. Therefore, it has the same spectrum of connection and Change; everyone's love also expands from a point to a line, a face and a body, extending and intersecting. . . It is as volatile and difficult to grasp as the rich fragrance. . . However, it is not illusory that the changes are difficult to grasp, but only because of his fluidity - in the pursuit of stability, eternity, and constant rhythm, the changing and flowing love is deceptive. He is real, but he is good at hiding. Pretending to be good at deceiving oneself. . . He is not trying to be kidnapped, so it has nothing to do with morality, just his essence and character. . .
It was originally the happy love between Angelica and Davide. After Angelica and Antonio met in the auditorium of Antonio University + Davide and Sergio were paired, it changed into two pairs of happy love; the two changed into two pairs of people, and the content of love was interlaced and rich; later mixed in Neville's (perhaps Davide's friend) love, and Roberto's love is implicated; Davide and Lorenzo have an occasional affair at a party, the two are happy, and the unrequited Rebecca is brought close; Rebecca is dating Lorenzo Hopeless and unable to let go, he started a wrong love affair with Paulo again. Paulo loves Davide, has a good impression of Lorenzo, and does not reject Sergio. In the end, Antonio can't restrain his desire to be happy with Rolla again, and pulls Rolla too. Enter this change into a suffocating erotic fantasy circle. . . Until the death of the darling Lorenzo, aroused the possibility of everyone attaching importance to their own love, this change of yin and yang will definitely have some impact on this gentle love circle, so what kind of impact will it be? . .
Love has its own fragrance, and the harmony of fragrance is exactly the rationality and tolerance of open love. . . From mutual pleasure to continuation, from self-discipline to envy, from injustice to pity, the aromas of various loves are slowly released and blended to form a complex, plump and heavy fragrance that is different from any monotonous fragrance. The tune makes people unable to see clearly and clearly, and the aftertaste is endless and endless. . .
If you think that there is only one so-called true love, then a world of mixed fragrances will only make people dizzy and have no solution. . . If you think that true love itself is a series of processes supported by subjective feelings that combine pure mixing and transformation, then the precipitation, accumulation and fermentation of love will only make it more and more mellow, rather than becoming more and more mellow. less, until the origin of the return journey person A and B. . .
Does love have a standard? . . Can be, but not required. . . Where are the standards. . . Not somewhere, only in the heart of that living person who is involved in a particular love relationship. . . This kind of standard needs no words, nor can it be said, it can only hold an open, tolerant and gentle heart that does not coerce, do not ask for, or deceive , approach another heart, and beat with his rhythm ; His breath; approach and feel the hesitation or flow of every erotic love. . .
This transformative yet ethereal aroma is often understood and described as "delicate". . .
3. Neutral and concealed smellers
I like such delicate expressions, not because of the false harmony inside, but because all types of love inside are real, all changes are real, they are part of our lives, whether we dare to admit that there are these The existence of content, whether we can face it or not. . .
I like him more because he does not have a virtual moral standard, a moral commanding height, overlooking all living love, and pointing out our love life. . . Because such a commanding height does not exist. . . Only our lives exist—only existence and changing existence is meaningful. . .
All efforts to judge these existences and changes, to try to praise and criticize to determine the moral code of the so-called standard of life, will be in vain. . .
No matter how good the standard is, it can't replace the individual standard and our own feelings in the process of our own love. . .
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Delicacy needs field, without field, delicacy is no longer. . .
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