I don't like this movie. He ran away from home because of the indifference of his family, and changed his identity to live anew in Tokyo. His mother committed suicide and his father was unemployed. ! This logic... and the sentence "Are you connected to yourself?" is also nonsense. In the film, Noriko has clearly wiped out her past self, so why are you embarrassed to say this again? Damn it, it's not!
Besides, I don’t really like this kind of Yuan Ziwen. The suspicion of pretending to be coercive is serious. It’s also you who is anti-patriarchy, and it’s also you who criticizes the family. When I watch his movie, it feels like watching the giant baby country, trying to obliterate the incompetent in the past. You, as if you were born with glory, then talk about art theories that no one can understand, and finally cast a contemptuous look at you. On the contrary, films like "How Bad Hell" and "Tokyo Riots" are more attractive to me. I once thought he was Peng Haoxiang from Japan...
In fact, "Mediocre" and "Anti Erotica" are also good to say.
When I watched the documentary "A Creature Like Yuan Ziwen", my physiological reaction was exactly the same as when I watched "The Kingdom of Giant Babies". Yuan Ziwen in the documentary has several scenes of painting, I won't talk about the storyboards. After all, Jiang Wen's storyboards are not very good, but Ya Nei's oil painting is obviously just smearing paint on the canvas! The fuck is this called art? Then our hutong mouth scraping white buddies will not become masters!
In short, I don't like this movie, and I don't like this kind of garden temperature.
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