Because of Kusturica, I want to know more about this magical nation of Slavs.
Although in the eyes of many people, Kusturica is classified as a director who uses films as political metaphors, but those who know his works know that there is absolutely no sense of skill, and there is no hypocrisy and dullness like politics itself. His works are full of childlike innocence, poet-like romance, lover-like enthusiasm, explorer-like bravery, like Kusturica, like Xiaobo, living like a desperado, a knight in the bone marrow Spiritual, truly spiritual bard!
The romance between Kusturica and Xiaobo is so pure that it rejects some metaphysics. It is the simplest and purest expression after a profound interpretation of spirit and flesh, and it is absolutely vivid. They describe the nation, people, family, love and tragedy in the context of major political events, but they are never sarcastic or sympathetic. Their works are filled with a deep understanding of human nature and a touch of empathy.
Some people see milky way and feel that he repeats his previous techniques and plots, which is like asking a poet to write clear sentences, and asking Xiaobo to write bizarre plots, sorry, they are not such exquisite poets who describe beauty , they are free souls, spiritual warriors, if you are on the same channel as them, please be grateful to the mediums of film and literature for giving us the opportunity to tremble with these wonderful and great souls.
Seeing the comment from Lord Nian that Kusturica is the reincarnation of Dionysus! It's too accurate, absolutely, he and Xiaobo are both! The great god of wine, the god of drama and literature, he was born on a barren island, but the son of the great god of gods Zeus, with demagogic romance and passion, the appearance of eternal youth gives him eternal youth. The indelible innocence and special birth made him abandon all forms of refinement. This is exactly the discussion of film and literature. Does form serve content, or vice versa? In the end, it is necessary to communicate and communicate spiritually. At this level, content and form are no longer the original purpose, and neither is the object of emphasis.
Then again, the appeal to Kusturica to make so-called innovative works is like asking Roske to paint landscapes in addition to color blocks
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