Liam Neeson's re-cooperation with Julianne Moore, the powerful "Grand Slam" actress, has made people look forward to it. Coupled with the subject matter of aerial action movies, I immediately watched The 2014 release of "Fast Disaster" immediately after watching "Commuter Rescue." As an important part of the "Rescue Series" co-produced by director Zomi Shirra and Liam Neeson, the first half of "Speed Tribulation" is very meticulous and smooth. Whether it is the construction of suspense or the control of the atmosphere, it has reached the level of a first-class suspense film and whetted the audience's appetite. The murderer's warning of one person dying every 20 minutes is like the space junk rain that comes every 90 minutes in "Gravity", always keeping the rhythm of the film. Every time the people who died are actually killed by the male protagonist, the setting of the air police who maintain order seems to be a hijacker is quite new.
However, the male protagonist's role is not appealing enough, and other actors other than M Neeson can also interpret it. Julian Moore's own sweet, sultry temperament makes for an unpredictable and impressive character. But in addition to disturbing the audience and building suspense and promoting suspense, it seems to be optional.
The most criticized is the film anticlimactic. The motive of the hijackers turned out to be "a reminder to the country that no one can be absolutely safe, and the country does not look at you to protect everyone", with a strong temperament in the middle school. The ending was rushed, the suspense accumulated in the first half ended hastily, and the misunderstood male protagonist quickly regained his trust.
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