South Korea's political and historical films over the years have really opened my eyes. From the early "Taichi Flag Flying" to "International Market" and "Can I Talk" in recent years, it is very enjoyable to watch! Not only the real historical and political events of the past can be repeatedly excavated and reproduced, but even the political events that may appear in the future can also be directly and boldly fictionalized and expressed like "Iron Rain"!
Recalling what General Secretary Deng Xiaoping said 40 years ago: "We have just started the Congress of the People's Republic of China, we said that we should not interfere in what to write and how to write. We adhere to the "Double Hundred" policy and the "Three No Principles". The framework of ultra-leftist thinking led to the brilliant 1980s and 1990s in literature and art, and produced some excellent and classic Chinese literature and film works that caused a sensation in the whole society and affected all parts of the world.
Today, the reason why good works and great works worthy of the times cannot be produced is that apart from the flood of entertainment-oriented trends led by the market and box office, are the relevant leading departments and our creators too constrained by various rules and regulations? This can't be written, that can't be touched; this is the dark side, that's off-limits, and the list goes on. Today, the Central Committee of the Communist Party of China has demanded to increase the intensity and pace of reform. In the field of culture and art, I think the first and foremost thing should be to get rid of those tangible or intangible restrictions and constraints on the creative thinking of "what to write and how to write"!
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