Each clue is a complete story. However, the film does not tell each story one by one. Instead, it relies on cross-montage to separate each story and interlace them together, so that the storyline advances slowly in the fracture and stitching, parallelism and collision, so that the meaning of the film is colliding. The sparks expand, and the theme of the film sublimates in the stitching of fragments. The film’s excellent use of cross-montage combination has also strengthened the visual and auditory image of the conceptual conflict of the film, and made the film’s plot advancement with narrative tension." From the cultural spirit, the interweaving contrast structure passes through each The intertwined contrast of different narrative clues to'tell' the story seems to be closer to the original face of the evolution of human history. Because the human affairs in reality are not always full of coincidences like the classic Hollywood movie model: the bad guys dominate, The “phantom reality” model in which beautiful women are in trouble, heroes save beauty, and eventually become family members. It is more of a mixture of positive and negative, civilization and barbarism, humanity and animality, and even antinomy."
View more about Crash reviews
