Seeing the bright light and approaching the celebrity, Xiao Azhai’s debut film meets the well-worn director, the golden wind and jade dew, which stirs the clouds and rains in the world; the old gun bursts with juice, and the tide blows middle-class customers. A little bitch who was born in a B-level film, just so unexpectedly became an A-level blockbuster, and it was also a super-sold A-level blockbuster. As a diehard fan of the original "Gamer One" and a diehard fan of the B-level film, I feel like seeing my crush (one of) the girl next door being hugged to bed by a good black uncle. ——Please allow me to quote the famous words of Master Hongyi——the intersection of sadness and joy.
What is the intersection of sadness and joy? First of all, as a fan of Uncle Si who started from "ET", I am not unexcited or disliked seeing this "Number One Player". The first half of this movie is very good, the rhythm, story, and atmosphere are very good. The adaptation can be regarded as a magical brush, transforming the cold stalks that are difficult to express in the original work into various visual spectacles; however, the second half of this movie is not right, very wrong.
The original work of "Number One Player" is a cool article by the running team. In the original work, the author explicitly said by the protagonist Parsifal that he felt like he was experiencing a running group. Because this is a cool article by the same people, it is natural that there is a B-level film in the bones. Uncle Dangsi tried to transform a B-level film into an A-level film. The appearance can be changed, but the values in the bones cannot be changed. of.
What can't be changed? First of all, the origin of this story cannot be changed. Some film reviews of "Top Player" said that the plot is unreasonable, Halliday's character design is unreasonable, and it is unreasonable to win huge wealth by solving puzzles. These irrationalities are precisely the core of the B-level film. I repeat again. The original is a cool article by the running team. The core of this cool article is a big slogan:
Boys, do you want my treasure? Then come to the dead house together!
Shuangwen’s plot setting is not for rationality, not for character creation. Everything is around this detached cognition, but it makes the dead houses tearful of their faces. This is not a reasonable world, but a world of justice. ; This is not the world of the incarnations, but the inner world and the promised land of the Azhai. How can incumbents understand such values?
Secondly, the protagonists of this movie, especially the male and female protagonists, have too mainstream values. Think about "Guessing the Train", think about "Kung Fu", and then look at the healthy and sunny male protagonist, there is no such thing as a refugee in the Kowloon Walled City. In the original work, the author clearly pointed out that the male protagonist Parsifal is a fat house, the female protagonist Artemis has a big birthmark, and the black girl Edgie is an ugly T. She can only sleep in the mail car when she comes out and quarrels with her mother. Tosotto is two thin Japanese houses who met at the Dead House Mutual Aid Association, so this story was filled with an ugly smell from the beginning.
Qun Mo Flurry, this is a B-level film; and High Five in the movie is an A-level film. The male protagonist is a jerk who looks like Markberg, from the inside to the outside, the smell of freshness permeates. Sorry, our dead house is not like this; the female protagonist is actually the leader of the resistance organization? Is there a mistake? We A Zhai will not organize to resist, we will only spread out and wait for death!
In the end, the biggest adaptation of the film to the original is to forcibly add a mainstream value ending, which is what I am most dissatisfied with. Think about it, a dead house inherited a huge amount of fortune and embraced a beautiful woman by the way, and then he publicly announced that the existing house was good, the house was broken, and he decided to close the world's largest MUD every Tuesday and Thursday? betray! This is a blatant betrayal of Cyberpunk! In the face of this kind of current charge, it is necessary to gather the essence of all the dead houses, and save a vitality bomb to explode the dead girl!
So, really, although this is a dazzling movie, it is internally divided. The current high score of 9.1 points is completely derived from the fake sentimental party, the fake dead house, the real social animal, the arty greasy middle class, etc. A series of suspicious-looking, mindless crowds. Minority houses once thought that being labelled, insulted, spurned, and electrocuted was bad enough. Unexpectedly, the public would gladly take away the label that was once insulted and spurned. As a squirt article, in this situation, the small crowd of dead houses can only burst into tears in the dark, and silently picked up Paranick's "Higher Nomad"...
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