The standard format for bad Hollywood movies: big productions, big stars, great special effects and soundtracks, shredded scripts. First of all, the connection between the plots can be described as thin and thin. It stands to reason that this kind of popcorn movie should have a tight rhythm, one clue follows the next clue, but the plot of this film is as if the screenwriter outsourced the script to several people, and then Several scripts were selected and put together. The bicycle chase was optional at the beginning, and the scene of going to Hong Kong seemed deliberate and unnecessary, and Wu Yanzu's role was almost zero. The puzzle-solving part that can mobilize the audience the most is also useless. The clues to the location of the tomb can only be solved with a glance. It took a few seconds to open the door of the tomb. "Dragon Jue" still knows to read "Looking for the dragon and dividing the gold to see the mountain, a entanglement is a hurdle".
The second is the serious breakdown of the logical structure. The heroine's father did everything possible to hide the documents in order for the heroine to burn them. Laura embarked on the journey to find her father without the slightest preparations. Without guns and cannons, it was all made by the enemy. They had just raided the villain's camp to rescue the laborers, and the next second, the two sides entered the tomb hand in hand like nothing else. And the supernatural power that the whole movie has been rendering, and finally just use a virus that can dormant for thousands of years and die at the touch of a touch. However, what is more metaphysical and more chaotic is the heroine's combat power setting. The crude hand-made arrow kills one person in one step, and the mercenary locks the throat and can fall over the shoulder. It is not afraid of infection when bumped and injured all the way. Sleeping like nothing. This makes me wonder if the opening credits forgot to put the Marvel logo and flipped comic book pages, maybe in Avengers 3 it's her jumping out and punching Thanos in the head to end the movie. The focus of the film is also very problematic. There are few plots related to the tomb (whether it is to find clues or explore the tomb), and the foreshadowing and background story about the tomb are extremely weak. It should be a grand setting involving Japanese ghost culture that can destroy the world, but the final effect is very flat. The degree of digression of this film is like when you watch "Gourd Baby". First, you put the selection, cultivation, watering and fertilization of the gourd for an hour, and then the gourd baby fights the goblin for ten minutes. Grandpa is going to die, and the next is twenty minutes. Sensational: Huluwa and grandpa started to reminisce (montage + touching bgm), they looked at each other with tears in their eyes, grandpa said "leave me alone, let's go!", Huluwa shouted "we won't go!". In the end, the grandfather drove the gourd baby away from the self-exploding snake cave, and the seven gourd babies ran out at the last second before the collapse, and the whole play ended. But I have to mention that in addition to the soundtrack and special effects, there is still one thing that makes the film shine, that is, the reversal of the last 3 minutes of the film, telling you that the BOSS has not been finished yet, and we have to make another 2. The foreshadowing, editing, and blank space of this paragraph are excellent, and for the first time echo the title: "Tomb Raider: Battle of the Origin". The taste is elegant and restrained, and the intention of misappropriating money is not revealed at all. This epic layout method can't help but make people applaud and applaud. Do you think this is a shame for the film industry? you are wrong! This is the glory of the trailer world! Of course, if you put your mind aside and just watch Wu Yanzu chug and watch the beautiful young lady fighting hand-to-hand, passionate parkour, and saving the world, this film can still be used as a good pastime. It also makes people have to sigh, the camel is bigger than the horse!
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