gaze and
the antinomy of being stared at as either a virgin or a prostitute The constant repetition of the primordial scene's
looping interplay of theater and reality . ambition. Compared with European and American erotic films, which open and close their libido, Japanese people prefer to have fun in the collision of extreme purity and extreme obscene, and they are never tired of the identity reversal of Kant and Sade. This is also one of the reasons why Japanese love role-playing only. Deleuze believes that only schizophrenia can break down the capitalist production machine, and the hysteria of the heroine is a mockery of the hypocritical state freedom behaviorism she talks about. When the moonlight sonata played by the dead sister reached its climax, the neon-like dye poured down, and the heroine rolled and splashed in it, but like a lizard in a bottle, she could not find the exit. The whole film was in a burst of punk-style wine. God returned to silence after the revelry. I have to say that director Sono Ziwen provides the best explanation for the dilemma of human nature and the carnival opposition of human nature.
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