Mao's films, much like Chinese commercial films

Shirley 2022-03-12 08:01:02

six points

There are many praised places. In the details, you can see the small round shields and mace of the Mongolian soldiers, the half-bald head, the hairy girl who says she will take it off, and the big brown bear who eats with the hunter.

However, the costumes of Mongolian aristocrats are a bit inexplicable. They are not completely Mongolian robes, but also add many Chinese elements. Not to mention Batu Khan's golden dragon embroidered robe borrowed by the Chinese fantasy costume idol crew, what are the few close officials around him wearing? The lower body of the robe is the style of the official robes of the Qing Dynasty, and some of them are directly wearing the Qing Dynasty supplementary clothes with slightly modified color matching styles.

The battle scenes of Mongolian soldiers are even more crap. The Mongol army has become a mindless army that can only fight on foot and throw stones, no cavalry archers leaping and Bangkok staying, no light cavalry rushing, no heavy cavalry harvesting, not even a Sulubin spear appeared, and also I have never heard that the Mongolian army will build heavy catapults in advance and march with the large troops.

In addition to the characterization and narrative techniques, the color-focused pictures and computer special effects are the same as domestic commercial films. It would be interesting if Mao Guofilm began to learn from China.

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