At the beginning, the heroine was chased and killed, and then it was reversed, reversed and reversed, so that the real world was finally killed. I think it was their boss who sent those masked killers (later it was mentioned). I guess it's Abby until the traitor). In fact, I really complain, too many reversals will cause the audience to think of the next reversal later, resulting in aesthetic fatigue.
Secondly, the acting skills of the actors are really important. At the beginning, Luo Han killed people and chopped them aimlessly. When the heroine wakes up, she rises up to resist. In fact, if you think about it carefully, you can easily guess the development of the subsequent plot.
In the plot, after knowing the truth, the heroine would always say "Where is Abby, where is Abby", does she not care about other colleagues at all? The male and female protagonists are running everywhere, seeing their colleagues being killed everywhere, and still saying "Abby", I feel heartbroken for their colleagues. At the beginning, the male protagonist saw that one of his colleagues was killed, and he had already guessed that there was a traitor, but just said that, and then there was no development.
From beginning to end, guessing all the way to the end, the heart is also very tired.
But no matter what, I have to say that it can be considered a film with a good plot if it can be used in the middle of the game. It may be better if the director can modify the actors' words and acting skills, but for me In other words, dying can only be considered normal.
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