On the whole, it is an interesting movie. The first half of the movie is relatively smooth, the style is humorous and witty, and the funny images of the nobles are vividly portrayed. The second half was a little sluggish, but since the bow tension was already fully stretched, it didn't feel dull. The director tries his best to show that the relationship between the queen and the waiter is sincere. In the boring court life, a person suddenly appears, loyal, kind and reliable, telling you that there are other interesting things in the world besides state affairs and banquets. Queen of more than half a century, turned Britain into an empire on which the sun never sets, and witnessed it reach the top of the world, as she said: I am 81 years of age. I've had nine children and 42 grandchildren, and have almost a billion citizens...I have known 11 Prime Ministers and passed 2,347 pieces of legislation. I've been in office 62 years, 234 days. Thus, I am the longest-serving monarch in world history. I'm responsible for five households and a staff of over 3,000. ...but in her later years, she actually felt that all she needed was a friend who could always be by her side. She seemed to have a paranoid "favor" for Abdul, which seemed to show the Queen's willfulness and nonsense. Is it the cherishing of feelings and the firm determination to do everything in your power to maintain friendship? In stark contrast to the royal family members who seem to be following the rules, her behavior is extremely ridiculous in their eyes, unprofessional, shameful, no one can think that this kind of thing comes from the Queen of England, on the contrary, she In the end, she never forgot that she was the lord of a country, the highest symbol of British power, and she used her majesty and power to resist to the end. "Is it easy for me to get a confidant? I'm the queen, my person, it's none of your business!" (Judi Dench is really an old actor, and the characters are so domineering) In the day and night with Abdul, the queen looks like a Innocent and happy like children, they chatted without any worries like ordinary people. In his first long talk with the Queen, he mentioned the carpet and said: "Life is like a carpet, we travel back and forth in it, forming a The pattern...a vulture was branded on the carpet for eternity..." Abdul said that he used to be a prisoner's recorder, and the queen added: We are all prisoners. Looking back on the lines now, it means that the queen and him are both placed in a fixed position, the boundaries between the two are clear, their identities are different from each other, and no one can go beyond their own scope. Everyone is imprisoned, and sometimes they take it for granted that they were born that way. The screenwriter is well-received. This key plot can not only promote the deepening of the relationship between the two people, strengthen the contradiction in this relationship, but also has a certain metaphor, which indirectly points out part of the core of the film. The film is good at developing characters' feelings from the details of the queen's life, and gradually establishes the relationship between the characters, so that the image of the queen is rich and full. It feels like Judy is leading the show [covering face], but I don't feel his influence. . . After all, there are some things in the male protagonist that are inexplicable and have no resonance. After the whole play, the supporting characters are impressive. Well, as a historical biopic, it's less than satisfactory. Looking back on the lines now, it means that the queen and him are both placed in a fixed position, the boundaries between the two are clear, their identities are different from each other, and no one can go beyond their own scope. Everyone is imprisoned, and sometimes they take it for granted that they were born that way. The screenwriter is well-received. This key plot can not only promote the deepening of the relationship between the two people, strengthen the contradiction in this relationship, but also has a certain metaphor, which indirectly points out part of the core of the film. The film is good at developing characters' feelings from the details of the queen's life, and gradually establishes the relationship between the characters, so that the image of the queen is rich and full. It feels like Judy is leading the show [covering face], but I don't feel his influence. . . After all, there are some things in the male protagonist that are inexplicable and have no resonance. After the whole play, the supporting characters are impressive. Well, as a historical biopic, it's less than satisfactory. Looking back on the lines now, it means that the queen and him are both placed in a fixed position, the boundaries between the two are clear, their identities are different from each other, and no one can go beyond their own scope. Everyone is imprisoned, and sometimes they take it for granted that they were born that way. The screenwriter is well-received. This key plot can not only promote the deepening of the relationship between the two people, strengthen the contradiction in this relationship, but also has a certain metaphor, which indirectly points out part of the core of the film. The film is good at developing characters' feelings from the details of the queen's life, and gradually establishes the relationship between the characters, so that the image of the queen is rich and full. It feels like Judy is leading the show [covering face], but I don't feel his influence. . . After all, there are some things in the male protagonist that are inexplicable and have no resonance. After the whole play, the supporting characters are impressive. Well, as a historical biopic, it's less than satisfactory.
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