The front is all standardized and old routines, and the later scripts can be handled well.
This is the story of a veteran who made mistakes and suffered severe psychological trauma after the war (actually it is the protagonist with perfect personality) who fought alone to find self-redemption and maintain justice. That's the point, but why not focus on the struggle between the righteous side and the dark side (except violence) of the protagonist's humanity? Also, the depiction of post-war psychological trauma sucks.
The protagonist's behavior has always been too firm, just like his body that can't be beaten and can't be killed. After the protagonist's personal heroic actions and social laws and regulations had a serious conflict and provoked the CIA, the final treatment of the plot was that the senior officials of the National Security Bureau were moved? After that, he erased part of the crime files for the protagonist in his own name, saying that it was to give back part of his life. This is also really muddy.
There are many conflicts between human nature and law with political orientation and socialization in the play, but they are all vague. This leads to confusion in the values of the whole play and an empty banner of justice and love.
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