The ultimate in violent aesthetics

Carson 2022-03-23 09:01:46

The ultimate
review of violent aesthetics__ "Sin City"
mentions "Violence", "pornography", "blood" and an unparalleled audition feast. Yes, Sin City has achieved the ultimate in violent aesthetics, exquisite The black and white processing and facial close-up, the unique color atmosphere, and the non-realistic violent art processing all represent extremely high violent aesthetic art.
Quentin Tarantino's films such as "Kill Bill", a director who has good attainment in violent aesthetics, have become his representative works. Let us first take a look at what is violent aesthetics, and this is how it is described on Baidu. : Violence aesthetics is mainly on the senses, so that violence is presented in an aesthetic way, poetic pictures, and even fantasy lenses to express human violence and violent behavior. The viewers themselves are often amazed at the artistic representation, unable to produce specific discomfort with the content. However, the scope of violent aesthetics is very wide, and any violent nature expressed in the form of art can be regarded as violent aesthetics, so Quentin's genius concept of violent aesthetics is revealed everywhere in Sin City.
Black and white shots can focus the audience on the actors and ignore other unnecessary details, which in itself is the ultimate performance of violent shots, which also makes the colors appear more vivid in black and white images, when all people, When everything is sin, the bright red color is even more interesting. The girl with the poker brother in Sin City 2 is as attractive as an angel. She exudes the true color of human nature in the black and white world. She has With pale blond hair, sensual skin, and wearing a sparse but unexposed black leather jacket, the girl looks like an innocent girl from the inside out, as if she shouldn't stay in this city, and then look at the crime Goldie, who has sex with a muscular man in City 1, is also colored, and the bed is covered with bright red sheets, which reflects the sex and temptation. Both are full-color episodes of both men dying for this angelic woman.
The blue lady's suit, the red long skirt, and the pink Durex can reveal a woman's inner world from the clothes, and the green and blood-red pupils represent viciousness and killing. Only the bar has its original color, where people release their desires is the most real place. The handsome man drove the car, and the police officer next to him died quietly with his forehead deeply inserted into the barrel of the gun. The red, green and blue crosses flashed on the handsome man's face, expressing the complex inner heart of the handsome man. The use of these colors is of great artistic value in the nature of violence.

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Extended Reading
  • Tyler 2022-04-20 09:01:40

    2.5 stars. It only reached the passing line of the dog's tail: the picture is still cool, but nothing new, just repeating black and white tones; dark, violent, and sexy are still the same, but also just the skin. The point is that the story is chaotic, the characters are distorted, and they all seem to be acting - of course, the actors are acting in the first place, but the traces are too heavy to make people sick. It is said that Eva Green's body is beautiful, but the body is flat without any real sense. Have you been staying in 2D for a long time?

  • Jarvis 2022-04-23 07:01:50

    Compared to the first one, this one is really bad, the dialogue is endless and not cool, the femme fatale is not bad, but the others also take up so much space to talk about it is the same as not talking about it, the plot does not need you to recall it. . In general it doesn't feel cool at all @2014-11-03 13:46:53

Sin City: A Dame to Kill For quotes

  • Dwight McCarthy: I've taken a beating before, but never anything like this. Never like this.

    [punch echoes]

    Dwight McCarthy: The sounds go wet. Maybe he keeps hitting me, I don't know. I'm gone. Gone to that place where there's no pain or thought. I wake up in mid air. The pavement rushes up to give me a big sloppy kiss.

  • Dwight McCarthy: You're insane.

    Ava Lord: No, Dwight. A crazy person would be anyone who belives me. And that would be you.