In a modern city, in a world where humans + orcs + elves coexist, the elf hell gang renegade girls smuggle a wand that can summon the devil, a human policeman and an orc partner, in order to protect the wand and the girl, fell into being chased by the orcs, chased by the elves, and chased by the police. Wanted. Can they finally escape the hunted and wanted, and can they organize the Hell Gang to resurrect the devil.
Some people say that this is simply a low-end version of the Lord of the Rings.
The Lord of the Rings, in the final analysis, is also a story of treasures being snatched away. Also filmed three big parts.
But we all thought it was a good story, because people made a world of species richness alive and well. The species here strictly abide by the rules of their own world, which makes people feel real. Based on this grand story background, a ring that affects thousands of creatures of all races makes it seem that every step of the character contains destiny, and a simple story makes people fascinated.
Having said that, many movies have such a problem: the treasure appears inexplicably, and it depends on a few people talking about it, and even euphemistically expressing that it has killed many people, it is taken from the background of a bone of Genesis Didn't explain. How can this world be like this, how can elves, orcs and humans live in peace?
Maybe the director doesn't think it's too important, he just wants to copy the black super SWAT again, complete a case, play a two-person twist of the New York police, and by the way, promote the same individual to save the earth and satirize racial discrimination.
He didn't succeed in the end. Or what he wants is a police and gangster movie with aliens added. That magic wand is the nuclear weapon to destroy New York, the gang wants it, the terrorist wants it, and the boss is unreliable.
That being said, the idea of this film is really ordinary.
He wasted such a good-looking Lao Wei, and wasted the idea of bringing the orc elves to Los Angeles.
Personally, I don’t think creativity is good or bad. When you cut in from a perfect angle and cut to the end, that’s a good idea.
For example, there is a lot of space in the front, about the gap between the three races, discrimination——
Then I would have thought that this would be a deep sci-fi film, similar to District 9. So what he has to do is either the police and their partners reverse this social consciousness through one thing, or the world will continue to exacerbate this disparity and discrimination, let it explode, push it to a climax, and welcome the tragedy.
This part is certainly not complete.
As mentioned earlier, if this is a drama where humans and beasts work together to save the earth -
then I would hope that the big boss will really appear, and the proportion of small soldiers chasing and fighting will be smaller.
The big boss didn't appear, because the big monster I was expecting was the Demon Lord, not a nail-killing female thug.
Of course, this kind of joint effort to save the earth does not necessarily require "Tokyo, London, and Moscow have fallen" to make the audience feel that the earth is at stake. If only the director could make the power of the wand seem a little more terrifying. It doesn't have to be dark, it doesn't have to be the sun and the moon, at least half the city will lose power and get out of control.
As a commercial sci-fi movie, aren't these what they should be?
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