The beginning of this piece is still very good, a bit of Mulholland Road. However, the ending was too rushed. The heroine fell into a coma in Glasgow and presented what she was afraid of as a dream. Knowing that Neil was dead before she fell into a coma, she couldn't accept this matter. Neil, as the heroine, has a mark of reality and keeps searching in her dreams, so in her dreams, she feels that everything else is unreal. Reality and dreams are spinning tops, where Neil is the role of tops. People live in the real world and need to find self-identity, that is, the connection between self (subject) and other people, things (objects) to prove their existence. The heroine told her mother in a dream that I am not your daughter, and you have never identified with me. Even in the dream, the heroine should know that it is her parents, but the heroine resists. Although the film doesn't reveal much, it is obvious that the heroine's mother has not identified with her child, so Neil is the one who found the connection between the heroine and the identity. She tried to compromise and admit that the dream was reality, but there was no proof of object identity connected with herself, so there would be repeated signals to remind her that everything was fake, except for the emotional line of Neil. Just think about each of us, if you have a dream with everything you want in it, you will believe it is reality. This is why some people in The Matrix are willing to live in dreams even though they know it is a dream. But the heroine has no sense of reality, because everything in the dream is what she hates, except for the beautiful existence of Neil. The heroine's dream is similar to "compulsive repetition", and she constantly experiences things she can't accept without Neil's feelings, that is, no one else recognizes Neil's existence, and there is no such person. In psychology, dreams are all subconscious projections. The nasty doctor became her husband, her parents were picky about her control of details, and Neil no longer existed. These are all the fears and fears of the heroine, which she feels repeatedly in her dreams.
The focus of the whole film is because of the suspense caused by love, and the final solution is not exciting enough. The overall viewing is not good, there are bugs in the play, and the brain department has been watching children's trauma all their lives. Doing a concussion test and the like will make it much smoother. And the ending is really too light on focus and too little description. Anyway, let's see Neil's grave or something, and then enrich the plot, such as watching the doctor's explanation The source of her dream is much clearer, and then the heroine accepts that the hero is really gone, because having a child with the hero is also a kind of comfort. Finally, the expression of relief at the seaside also has this expression. We study psychology People probably know what the director is talking about, but how do ordinary people understand it. The director is playing with his heart, not to mention that there is a psychiatrist in the play, so you can make some more explanations. But the overall viewing is not bad. Three and a half stars.
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