For me, this film is a good color sense, a little erotic, and I can see that the characters are very painful.
But one thing that surprised me was the inversion. A switch in the sense of power between Sote Mamyo and Tsutsui Mariko.
At first, I thought that Mashou Mamiao was someone with power, because that's how it was played. Then there is a scene from the set in the middle. In this scene, Mamyo is a newcomer, just playing a powerful woman. When you understand the plot and play it again, you can feel that Mariko Tsutsui is in the The upper hand of power. Then the camera went back to the house, and Mamyo once again played the role of someone who talks about power again. In another shot, Mariko Tsutsui knocked on the door to enter. That rich line made me think that the set scene was her fantasy. Digression, the interpretation of this part, Tsutsui Mariko is at a disadvantage. Then in the end, it was Tsutsui Mariko who played Kyoko and Sote Mamyo who played her housekeeper, which was very realistic.
It's really wonderful. Whoever plays the person with the upper hand, you think they are very similar, and both of them express the feeling of being above the power very well, and they also express the feeling of being in the bottom very well. The acting is great, it takes a lot of skill to change so quickly, and it also needs to be very familiar with the psychological state of each character, so that it looks so natural and hard work. So it put on a great show, thank you very much.
For a viewer, this kind of constant transition may make you clearly feel your own left and right and swing, what is presented, what I feel is what I feel. My judgment is completely based on the plot. The judgment is super logical, it is a feeling, and it is the feeling that the actor's performance gives me. I can clearly and intuitively feel the change of the judgment. This experience Makes me find it quite interesting.
A mobile feast.
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