I like Chuner and Teacher Jiang. Suitable for young and old, full of sparks and warmth. I especially like the part of Chuner wiping the score. The violin music flows rhythmically from the vinyl record. Chuner's hands rhythmically flip the score. Teacher Jiang changes honeycomb, picks coal, and peels apples. Every movement is also attached to the violin. Rhythmically, a little scene of Liu Cheng looking for a job to deliver food was inserted in front. In the end, when the apple fell, Chuner picked up the violin and was stopped by Teacher Jiang, and the rhythm slowed down. Chun'er ran to the bottom of the bed and found the source of the odor in the room, a stinky sock that he had discovered before but hadn't pulled out in a fit of anger. The two reached a settlement.
The above paragraph also serves as a foreshadowing. Later, after Chuner sold the violin, he enjoyed the music alone in the corner by flipping the score, and then remembered the past with Teacher Jiang, which was embarrassing.
Then there is the use of two montages.
One was Chuner running to the train station and looking for Liu Cheng in the crowd. At this time, the scene of Liu Cheng's "eh" is interspersed, which seems to be responding to He Chun'er's call, but it is actually the scene when Chun'er was picked up by Liu Cheng at the train station more than ten years ago. A few shots, traveled through time and space, revealed the mystery of the story, and connected the two closely.
The other is that at the end, Chun'er found Liu Cheng in the crowd at the train station. On the square, he played Tchaikovsky's Violin Concerto in D major, tears streaming down his face, surrounded by an audience. At the same time, another of Mr. Yu's disciples was on the stage, playing the same piece. The shot of the two Alternate. Same time, different space, different life.
move.
The charm of movies.
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