Does the name think of Bei Dao's one-word poem "Life"? I always prefer Kim Ki-duk because his films always have a sense of pain, no matter the early "Drifting Room" (2000) "Bad Boy" (2001) "Spring Comes and Comes Again" (2003) "Empty Room" (2004) "Samaria Girl" (2004), "Bow" (2005), etc., or "Mobius" (2013) and "Saint" (2012) after a three-year hiatus. But this time, it didn't do well. From the theme to the way of expression, it was all third-rate. For example, the ending was too deliberately false. Hand-held rough shots are a consistent style. It is found that "seeing and being seen" is a recurring proposition in Kim Ki-duk's films. A few shots of boating in the water always come to mind with "The Drift Room" and "The Bow." Yoo Seung-bum, who played with Choi Min-sik in his brother's film "The Crying Fist" (2005), and the Korean version of "The Suspect" (2012), didn't like his performance.
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