It was only seen for the first time 17 years after the publication of this masterpiece classic. I watched it 3 times in just a week, and I read a lot about it. I watched the French documentary about World War II Apocalypse. What is certain is that it has become another one of my annual review classics, so I think I It should be remembered for it. Let me talk about the serious (artistic expression) first. 1, Real and delicate. Creating a sense of reality is the basis for the success of a film and television work. Whether it is critical works that reflect real life, or those wild fantasy works, smart directors will deliberately create a sense of reality in every small detail. Because there is a very interesting place in human nature: when we are fantasizing about those fantasy, different from real life, dream-like world, there is always a voice deep in our hearts, hoping that it is real, hoping that we have a relationship with this fantasy world A certain possible connection requires a lot of real details to support the voice. This is also the reason why "Pirates of the Caribbean" deliberately made the costumes and props a dirty texture, and the brains of those directors who made the works into ungrounded MVs were broken. Far away, as far as the truth is concerned, this film can be regarded as a World War II documentary about the E Company of the 506th Regiment of the 101st Airborne Division. The crew’s approach was very clever. The actors were assembled in advance to receive training similar to the military. Each actor forgets his original name and lives and trains together under the name of the character for a few weeks. The result is obvious. Find reliable actors and use collective immersion performance to create an Easy Company that can be messy. Therefore, there is almost no need to perform too deliberately. Everyone is immersed in their own roles. Finally, every time we revisit in front of the screen, we will always find some interesting small interactions and small details. This kind of truthfulness makes us believe that they lived in that way, fought that way, and lived and died together in that way. 2, restraint. This is another sign of good work. This film created a lot of new methods of photography, especially the shooting of the combat part, NB to burst. There has been too much talk about these, and I, an amateur player, won't be axious anymore. What I want to talk about is the use of another part of the lens. Because it is a group portrait drama, every main character must be taken care of, the growth and transition of every character must be expressed, and every detail that is expected to shake the audience’s heart without being deliberately sensational must be designed, so this film Too particular about lens application and editing. In the sixth episode, Babe talked about whether Julian was a virgin, and in the eighth episode, Webster’s answer from Jackson when he got into the truck, the two children (Julian and Jackson) each took their own lunch. Neither is the protagonist of the episode, and I can’t give too many shots, but only these two clips that took a second, let us remember their youth, innocence and innocence, and therefore feel shocked and heartbroken at their deaths. . The restraint of this film is also manifested in deliberately leaving a lot of blanks in places that do not affect the main line and basic logic of the story. This kind of blanking attracts us to extend the reading, to solve the puzzle, to figure out who is who, and other details: ). Compared with some bad domestic dramas that unrestrainedly vent their sentimentality and treat the audience as fools who want to use the narration to explain the plot again, this drama is too much to my appetite. The next step is purely personal cuteness. 1. The handsome guys were killed. Of course, many survived. Some people say that there are no handsome guys in this show, which is how blind. Another success of this show is that the casting was too successful. In the beginning, he felt that Wen Lian was not handsome enough, and his decrees were too heavy. At the end, he was deeply attracted by this role, a good leader who was gentle, calm, outstanding and loved soldiers like a child. It's hard to be a perfect person, and it is loved by the audience, but this role is really convincing, and he deserves to be a British actor tempered in Shakespeare's play. Far away, in terms of handsome guys, personal rankings (brothers who are not linked, in no particular order): God of War Spears (if you must rank, this buddy easily enters the top three, whether it is appearance or ability, it is killing prisoners. It's hard to forgive, super cute in the later period), Webster (personally likes his temperament), Little Jewish Li Got, Babe. Hefron (as the name suggests, cute baby), Dr. Eugene, Magneto to the end, Wen Lian and his good friend Nixon (this buddy played quite vividly). In fact, I saw that every EC boy liked it so much in the end, and I could understand the Kappa whose mouth was too bad, of course, except for Dyke in the foxhole. Killed a bunch of handsome guys (the director must have deeply studied the psychology of the audience, in order to make us sad to death?). Since the second episode, almost every episode hangs up a handsome guy. Little Hull in the second episode had a bad impression of Mo Niang before (mainly because I didn't like to comrade my ultimate male god Holmes). After watching this episode, I had a good impression of Mo Niang. There are also more than 20 prisoners who were suddenly abrupt in the second episode. The German-American that is particularly portrayed is also a handsome guy. It is another stroke from God, which makes people feel the cruelty of war. By the way, Lieutenant Mihan, who died before he was appointed as a teacher, was also a handsome guy, and the entire plane was wiped out in an instant, really worrying to death. In the third episode, Tibo, the bombed map soldier and the hero in this episode, were distressed at the time. Later, I learned that the character prototype was not dead, and his life in his later years was still very good, and it was more comforting. Professor X in the fourth episode, Yimei was really tender at that time. The fifth episode was a little better. A soldier named Dukeman was hung up. Because he was not particularly portrayed, his discomfort was lower (the little German guy who was killed by Wenlian, the actor picked too well). The sixth episode of recruit Julian's hanging up clip can be included in one of the most uncomfortable moments. The little guy's frustrated eyes and Babe's desperate efforts are unforgettable. And that beautiful French nurse. The seventh episode was the worst. It was the hardest time since Company E’s landing. Two veterans were killed in the forest, four veterans were injured, and Huber was speechless. This rhythm made me suddenly worried. She must have more affection for the veterans, for fear that they will leave. The recruit who died under Dyke's stupid command was also a handsome boy. Jackson in the eighth episode, a handsome brother. Teacher Tang in the tenth episode was also really speechless, but fortunately, Grant was finally rescued. In general: 1) The handsome are dead; 2) The recruits with the highest mortality rate did not die of timidity, on the contrary, they were all too brave to be too reckless. 2, There are too many small details about love, which are included in every episode. Maybe the war is about to end, everyone may go home alive, so the cute spots in the last two episodes are too concentrated and loving. Personally, I like the little Jewish Ligot and Webster discussing what they will do when they go back. The little Jewish said that I also like to read books, such as the Flash. The war turned people with completely different backgrounds into life and death brothers. There is also Nixon's sorrow about his wife taking the dog away. It was a very sad thing. Why look at this man's face I always think it is too cute. The performance of this small detail is very advanced, praise one. Finally, fortunately, I did not miss you, Band of Brothers.
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