Poirot

Oliver 2022-02-07 15:00:01

It is still an elegant and well-laid interior scene, with more artistic processing and a tight rhythm. The language of the shots is also more diverse, especially for Poirot's psychological portrayal, which is more human than the original and the 1974 version.

To this day, when we think of Poirot the Great Detective, it must be David Suchet's mysterious smile and playful little moustache.

This time Poirot showed a human touch in many details. Poirot in 1974 decided to cover up the 12 "murderers" after hesitating for a while after revealing the case. This is the sequelae of contributing to the composition of the Celestial Dynasty since childhood, look at this great adjective) But in the new version, Poirot pondered over and over again, hesitating before and after the cosmic thunderbolt was super invincible, and even almost got shot by the colonel, which instead had dramatic tension and Contradictions are indeed the masterpiece of the British. The contradictions in the stage play are very hot. The film is a masterpiece. I personally think that there are two points that must be mentioned. One is Poirot's prayer on the train. At the time, the film used the method of cross-screening, and inserted Cassetti's prayer at the same time. Unlike Poirot's pious and peaceful prayer, Cassetti was more like seeking short-term tranquility and peace. He panicked, and even prayed because of some reason. He looked around suspiciously, and this kind of prayer was more like a temporary cramming for mercy. Poirot looked up when he prayed, and the carriage in the background was not very obvious. Cassetti looked up, and the carriage shook even more. , I don’t know if this is a mockery. In Poirot, God was willing to look up to him and be with him, but for the murderer, God chose to look up, maybe it already implies that God’s power is not enough to make He avoids danger and retribution. The second one comes from the ending. Snow falls on Cassetti's body, and the blood stains become more and more shocking. The 12 people who are anxiously waiting for Poirot to explain the case are all dressed in gray and black tones, as if they had melted into it. In the snow scene, this should also be regarded as an inadvertent hint, that is, although killing people, it still does not lose its pure original intention, just like pure white snow, only stained with dust and slightly gray and black.

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Extended Reading
  • Assunta 2022-02-07 15:00:01

    Why is it called "The Murder Case on the New Oriental Express", how much does it charge New Oriental, and the placement of advertisements is so direct?

  • Dominic 2022-03-20 09:03:00

    I'm the only one who thinks there's something wrong with the director's three views. . . .

Murder on the Orient Express quotes

  • Greta Ohlsson: There is a higher justice than the rule of law, monsieur!

    Hercule Poirot: Then you let *God* administer it... not *you*!

    Greta Ohlsson: And when he doesn't? When he creates a Hell on Earth for those wronged? When priests who are supposed to act in his name forgive what must never be forgiven? Jesus said, "Let those without sin throw the first stone."

    Hercule Poirot: Oui!

    Greta Ohlsson: Well, we were without sin, monsieur! *I* was without sin!

  • Mary Debenham: You said of the woman in Istanbul that she knew the rules of her culture and knew what breaking them would mean. So did Cassetti.

    Hercule Poirot: [harshly] And so do you!

    Mary Debenham: When you've been denied justice... you are incomplete. It feels that God has abandoned you in a stark place. I asked God... I think we all did... what we should do, and he said do what is right. And I thought if I did, it would make me complete again.

    Hercule Poirot: [coldly] And are you?

    Mary Debenham: [long pause, then] But I did what was right.