On a rainy autumn afternoon, a half-dream and half-awake movie screening class.
The already depressing gray-blue tone, coupled with the not brightly colored projection screen, made it cold to the core. Some shots use dim warm yellow, such as the dialogue outside the glass of the kitchenware store. This scene is very interesting. If I remember it correctly, it should have appeared twice. At this time, although the lighting of the kitchenware store is warm yellow, the male protagonist is standing outside the glass window. Looking into the darkness, the symbol is clear. At the end of the film, the male protagonist returns home, and his wife complains that the kitchen is too large, which is confirmed again.
The director is not as cruel and ruthless as history, the little girl who almost answered the phone, the boy who was let go by the assassination in the building, and the male protagonist at the end of the film holding his daughter who went out. Every scene made me tremble with fear and fear of losing a fresh life.
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