April 9, 2016

Kayla 2022-03-21 09:01:15

It makes me very big... According to common sense, the film is good-looking, the story is always a little plot... But "Silent Evidence", "Fruit Hard Candies", and even "This Man Comes from Earth"... Actually their scenes, or The stories are very simple, otz, so it’s annoying to study them for their beauty...

There are other films, which have a simple plot or the same pattern as some successful films... But really, they are very close. They are not good-looking. The reason should be:

①Is the protagonist’s sense of identity and performance charm? (Very important)

②The tense rhythm created by the soundtrack and editing (hidden, but actually very important. For example, yesterday’s "Fantasy Life" was completely dragged down by the rhythm)

③Set up a lot of small obstacles, and then play up the atmosphere of the obstacles, paying particular attention to the psychological activities of related characters.

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Extended Reading
  • Phyllis 2022-01-25 08:02:12

    Keanu Reeves of Nennen, the pinnacle of beauty

  • Mallory 2022-04-23 07:01:16

    It's been so many years! I finally finished watching this movie! The front is good, but the subway section at the back is completely unfinished! Keanu's acting is so bad! But so handsome you can't take your eyes off! Sandra was so beautiful when she was young! The hero and heroine don't call at all! And Keanu is really handsome, really handsome, really handsome!

Speed quotes

  • Harry Temple: What do you think?

    Jack: You're the expert, I just work here.

    Harry Temple: Looks pretty solid.

    Jack: Anyone we know?

    Harry Temple: I don't recognize the work, but he's pro.

    [checks watch]

    Harry Temple: Oh, he's cutting it close.

    Jack: I don't like it.

    Harry Temple: What's to like? Mac said we hold, so we hold.

    [Jack begins looking around; Harry thinks]

    Harry Temple: Alright, pop quiz. Airport, gunman with a hostage. He's using her for cover. He's almost to a plane. You're one hundred feet away.

    [Jack doesn't respond]

    Harry Temple: Jack?

    Jack: Shoot the hostage.

    Harry Temple: What?

    Jack: Take her out of the equation. Go for the good wound and he can't get to the plane with her. Clear shot.

    Harry Temple: You're deeply nuts, you know that? "Shoot the hostage."

    [chuckles]

    Jack: Harry, this is wrong. He's gonna blow it anyway.

    Harry Temple: Why?

    Jack: I don't know, gut feeling.

    Harry Temple: Yeah, well, right now Mac outranks your gut. So we sit.

    Jack: How much you think that elevator weights?

    Harry Temple: Jack, come on!

    Jack: Maybe we can do something about those hostages.

    Harry Temple: We're not gonna shoot em right?

  • Jack: Was it good for you?

    Harry Temple: It was great for me.

    Jack: Elevator dropped.

    Harry Temple: Oh, that's good to know.

    [both sit down]

    Jack: Is your watch slow?

    Harry Temple: No, no, he jumped the gun. We had three minutes left.

    Jack: Why's he do that? He's losing his three million.

    Harry Temple: I don't know maybe he couldn't hold his wad long enough. It's a common problem among middle-aged men. So I'm told.

    Jack: [gets up; realizing] He's here.

    Harry Temple: He could have blown that thing from Pacoima!

    Jack: No, he knew we were up to something. He's close by.

    Harry Temple: He's not gonna corner himself in a building. We evacuated anyways.

    [Jack looks disappointed]

    Harry Temple: Alright. He'd wanna be here but he'd wanna stay mobile. Right?

    [Jack nods]

    Harry Temple: The elevators.

    Jack: The passenger cars were stopped. They checked em out.

    Harry Temple: What about the freight elevators?