I felt that after breaking bad, a bunch of genre films with a similar style were produced, detailing some very trivial daily life, close-ups of various unconventional angles with a higher possibility of pretending, and designing long and forceful dogmas for the villain. Lines, after a lot of foreshadowing, suddenly hit the street and so on.
The one that goes to the extreme is its serious spin-off The Coquettish Lawyer, which has a lot of foreshadowing to seriously delay the plot. The development of each season is so slow that I have every reason to doubt whether the screenwriter is out of skill, or it is just for the prize.
OZARK is actually a very small film. Drugs, drug production, and distribution are all omitted, that is, money laundering. Even just a few episodes later, even the theme of money laundering itself has been gradually diluted. The screenwriter focused the main contradictions on the struggles and efforts of this family of 4, but it was too face-to-face, and the characters lacked convincing explosive power, which made people feel that they were trapped in such a circle set by the screenwriter. being watched in a play. Thinking about it from another angle, shouldn't a normal person's reaction be to either run away or go to a slip to apply for witness protection? --It's like the reaction of the innkeeper's wife in the play. After all, we haven't seen how powerful cartel is. They always feel a little alone. Why has fbi become so weak? The boss said that he went to bin Laden for all the energetic words. What an illogical excuse. Is there no time for the FBI in the United States to do anything else?
In short, this is a story with a lot of bugs in the setting logic of the story framework. Isn’t it daylight when you listen to your mobile phone? This is a post-9/11 America, unbelievable. So in contrast, breaking bad's design is very clever, keeping Da Bai hidden in the dark, and setting the indispensable role of the messenger of justice as a character he has to face frequently, so as to cause more dramatic conflicts and conflicts. The long-term development of the story - on the one hand, the police are not written as incompetent, and on the other hand, Dabai has been carefully handling one trouble after another.
OZARK apparently wrote the fbi as an idiot. The villain is also written as a brainless AI. Zombie-faced male protagonist, Madonna bitch female protagonist~~
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