The reverse-edged machete of Huanzhu Gege's return to Xinjiang seems to be a historical weapon; I am afraid that the common ambush under the sand in martial arts is nothing. The ending is a bit YY, although the real world may be like this; the male protagonist is exiled by the mainstream of the West, and mingles with the undeniable exotic culture; Pocahontas four hairs, the last warrior Avatar, it is always expensive for male men to have sex. The most embarrassing thing: the fearsome are not human words, and they are the threshold of self-image, but they can overcome obstacles like the male protagonist.
The long comment is just to explain this sentence: "The ending is a bit YY, although the real world may be like this"
——It was about to score four points, but at the end, the fiancée left the blind boyfriend friend (maybe he decided to give up, there was a hint that he didn't make it clear), and returned to the embrace of the hero, plus the black strong man had sacrificed his life to help the hero many times before. The plot is already very YY, it seems that this ending is too obscene. But think about it carefully, to leave the blind fiancé and find the old, healthy boyfriend who is the son of a general who still loves him, isn't this the most realistic and reasonable plot. Although he showed love with his blind fiancé when he passed the book on the front line, the two places were separated and the front line was bloody heroic. He needed to return to China and use his daily life to consolidate it. At this time, he was blinded. Shock and loss of love are also human nature.
When watching the movie, I couldn't help but think that the movie showed the female protagonist's remorse after scolding the male protagonist as a coward, but the male protagonist didn't hear it. If she suspects that she is arrogant, gets down on the man when the male protagonist crosses the street with a rat, and then denies her previous words and deeds after the male protagonist has won back his social image, it does look very similar.
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