The OZ world in the film is equivalent to a fictitious 3D network community. Each ID account with a personalized visual image points to unique user information. Just as mobile phones play an important role in the daily life of Japanese citizens, the Client software and hardware such as mobile phones directly aggregate and share behavioral information in all aspects of human society through digital networks, while artificial intelligence-based computer programs can influence the world by controlling ID and all related data and instructions. Whether the AI's ID named Love Machine is a reference to the love renter played by Jude Law in Spielberg's "AI" may not be known, but OZnet should be based on "The Wizard of Oz". Friends who have seen "Computer Coil" and "Red Pepper", both produced by MADHouse, should be familiar with the film's endlessly changing shapes and intricate collages. The film uses a lot of figurative visual symbols to express number operations, although it is not refreshing, but the look and feel is just right. The complex world has its own logic, and social members can be related to each other through the "six-dimensional theory", and the digital world further deduces this theory to the extreme. The virtual network has shown great commercial value to the world, and the crisis has also started one after another. Social network (SNS) and client applications (RIA) with different functions have made the connection between users more and more closely. There is no doubt that this ecosystem combining virtual and reality has brought unprecedented convenience, but the problem is: The interconnected information data aggregates too much personal privacy that should not be exposed to the public eye, which also creates convenience for those who practice favoritism. After overcoming the technical barriers, the incentive is as long as he is willing. The Six Degrees Theory, the Butterfly Effect, the Law of Cause and Effect, all these principles that people and society have or not have been carried forward on the Internet, the tools you trust bring you a network system that seems to be trustworthy, so businessmen come in, and they are horrified. Customers start their long-favored high-intelligence games. "Summer Wars" did not tell some strange stories such as folklore and ghosts walking at night, as I originally imagined, but chose the richer and richer topic of artificial intelligence. In front of the big screen in the dark, the dominoes are toppled one by one. Although all kinds of exciting logic algorithms are beyond words, they accurately convey the great battle that takes place in the digital world where every second counts. In fact, the information war is nothing but the same, the AI in the film Didn't he also control intercontinental missiles and communication satellites by listening to the military ID? According to Wabisuke, the adopted son of the Jinnai family, as the author of this source code, he endowed the machine with curiosity. In the digital world, artificial intelligence that relies on algorithms is comparable to robots. This topic was discussed in "Those Movies About Robots: Artificial Intelligence and Emotional Creation", so I won't repeat it here. Artificial intelligence has caused confusion, paralysis, and further expansion of urban public systems. The dialog boxes symbolizing users on the computer screen are kept open, superimposed together, and become a spectacular brain map. Respond as soon as possible to further development. From the night when Kenji arrived at Xia Xi's mansion, he received an unfamiliar text message and was asked to decipher the password. 55 password-deciphering elites were attacked by a Trojan horse program and handed over the account of the OZ world. All those who responded to the text message leaked their personal information, And losing the initiative, victims quickly ballooned to 1 million, 10 million, then 400 million. From elites to activists, goals continue to be universal; from public facilities to state institutions, power is gradually put in place. However, attentive viewers can find that the news broadcast is still "It is impossible to use OZ to do evil", and the next time slot is still a wonderful sports program, and the intention is self-evident. [Family cohesion] After the incident, the 90-year-old grandmother Rong (it is said that the director designed it in the image of his own grandmother) made a phone call like a strategist in the Edogawa period, and was consolidated with the help of the family for more than a hundred years. Her social status and influence reassured the hearts of the people and reinvigorated the relevant departments. The top priority was to control the situation rather than panic. Therefore, when the chaotic state improved, the intelligent sense of smell of artificial intelligence immediately found her and took action. vile action. Although I haven't seen family characters like Rong in cartoons before (older sisters? A virtuous wife who listens to politics under the curtain? China's "The Great Battle of Cixi", I'm looking forward to it), but the similar feeling in film and television works After all, there is. However, "Summer Wars" is not a theater animation about conspiracy theories after all. What it conveys is the warmth of family, the cohesion of family, and the belief of cooperation. That's why Natsuki, who suddenly asked Kenji to pretend to be a fiancé to make grandma's birthday happy, and Ei, who was extremely disappointed and angry at Wabisuke's cynicism and self-abandonment, and wielded a knife, so that's why he worked hard to prepare rich ingredients for the whole family. Women all day, so after Rong passed away, in a long shot of more than ten seconds in the open corridor facing the blue sky, he dealt with the sad family members in different forms. That's why Shota, who moved the ice bricks next to the giant mainframe for cooling and emergency use to the grandmother's spiritual room to cool down, was the main horse who cried bitterly when the family information was exposed when the plan to defeat LM failed. When Xia Xi called him to scold him for his willful behavior and was shocked to hear the news of his adoptive mother Rong's death, the past events reappeared one by one, and Wabisuke, who was on a rampage with anxiety, pain, grief, and even self-blame, had his car scrapped when he arrived. When the film shows the complex emotions of Wabisuke, the camera pushes through the car window, passing in front of the shocked Wabisuke, and exploring the endless stream of pedestrians across the street. At this time, he is trying to remember what Rong means to him. At this moment What happened to the world just a few hours ago, what has changed, what has been forgotten. Yes, the things he had forgotten came back to his mind. The director just let Rong and Wabisuke, who used to be big hands and small hands, pass by the crowd on the opposite street in reality, and then reproduce this moving picture with rich layers in front of the audience, which resonates in the two different dimensions of psychology and reality. . The next thing is the family members in the family unwrap the letter paper written by grandma. The content of the letter is still depicting the emotions when they adopted Wabisuke not long ago, so in the picture, they walk up the dirt slope from the street, from the town to the village, From then to now, the family understood the deep meaning of mother, and finally accepted Wabisuke, and the family began to prepare the ordinary and extraordinary family banquet that had been disrupted by many accidents these days. The processing of this paragraph is very in place, concise and direct, and I think it is a classic. I feel deeply. On November 15, the Japanese film had its overseas premiere through the Sino-Japanese animation exchange meeting held at the Film Academy, and the response was good. Grasshoppers, water patterns, morning glory, the Olympic school math genius Kenji's focus on deciphering the code is reflected through a few empty mirrors. The image sense of Japanese animation is indeed admirable, and even the live baseball game in reality is in full swing as the OZ world. The parallel reference of the war of the war, also in front of the screen, equally thrilling, and equally crucial to the outcome, the two episodes are connected by the participation of different family members in the family, and through the arrangement of space, shape and sound, create a non-stop Unusual psychological rhythm and presence. "Summer Wars" is a very important Japanese theater animation that I have seen recently. Whether it is the character setting of Sadamoto Yoshiyuki or the nuanced texture of the flower cards, it represents a very high industry standard. However, ironically, the lecture on "Romance of the Three Kingdoms" on Sino-Japanese cooperation at the afternoon exchange meeting: "The Secret Talk of Birth" has become a press conference-style ignorance, and the Chinese people on the stage, apart from Chen Xiong, occasionally say something human. , they are all acting illogically and horribly, and the host is so clumsy that people think that they are from the acting class of the film school. Seeking truth from facts, Mo Zuo is better than it is, and it is really hurtful.
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