autumn and, Reivew on Late Autumn

Ozu's color films always feel that there is a different kind of beauty and charm in them, and the story of marrying a daughter shows a touch of helplessness against the background of warm family ethics. From widower marriage to widow marriage, what remains unchanged is Ozu's beautiful pursuit of life and human emotions, looking for the slightest warmth between people in a depressing life, and seeing the big from the small. The many female characters in this film have distinct personalities and are unforgettable.
Ozu's form is beautiful, the so-called "impeccable" work. The remake/adapted from "Early Spring", although it is no longer sentiental, but the sadness is far worse than the original, the mother-daughter relationship is more sensational than the father-daughter relationship after all. Seeing the plots, plots and common techniques in many Ozu movies, Si Ye Zi is not as dazzling as "Autumn in the Kobayakawa Family", and Ozu's own position seems to be the deceased husband, Kasa Zhizhong's brother...

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