should be said that Jiang Wen spent 8 years adapting this film, focusing more on growth, it pushed you into a certain monologue in our hearts, and the man named Ma Xiaojun The boy grew up together, and his growth reflected our shadow, those times when we used to be high-spirited, passionate, arrogant, and do whatever we wanted. Any action or thought of Ma Xiaojun affects the corners of those memories, and life is so simple that it doesn't require much thinking.
Insolence is the totem of young people, no matter what, it is wild and fierce, and it is difficult to be tamed.
For example, Ma Xiaojun peeked at his parents' love letters, such as his desire for Milan, and his inexplicable throbbing towards the opposite sex, such as when he opened other people's door locks, went in and "sit", seeking that kind of prying stimulation.
In fact, the subconsciousness abandoned by the adult world and the frivolous misunderstanding of heroism in teenagers remind us of our true self. Maybe it's just curiosity, just an inner impulse, what we expect is a hazy feeling, a vague and forbidden beauty to the opposite sex.
When watching a movie, if we're honest enough, we have to admit that we've all had one of those moments. This is why I especially like the yellow-green tone of the film. It matches the mood of the characters and the fluffy texture of youth. It makes growing up boldness look cute, with a warm intimacy rather than harshness. blame.
However, those sunny days always contain the glitz of life. Jiang Wen tells us a story of youth that is a little sad and yet joyful. My emotions are easily swayed by the film.
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