A story of "storytelling" is described in the language of the film: the assassin Wuming came to King Qin with the mission of assassinating Qin. , Canjian, the sacrifice of three assassins and approached the King of Qin. The entire structure of the film is produced in the dialogue between Wuming and King Qin. Memories and reality are constantly intertwined, and truth and lies are intertwined. The images of several assassins are constantly enriched and formed in the stylized color narrative branch, and the memories and conjectures of the King of Qin also advance the progress of the story. In the end, Wuming was inspired by Can Jian's concept of "the world". After a face-to-face negotiation with the King of Qin, he decided to give up the task of assassinating Qin for the sake of the unification of the world, and sacrificed himself, and finally completed the story for the historical ending of Qin's unification of the world. docking. This mode of film composition and narrative demonstrates the multi-perspective, segmented narrative that has been popular in the Western world since the 1990s, showing different angles of the same story and depicting the different characters in the same event. experience and feel. To a certain extent, this narrative mode gives the audience the possibility of multiple experiences and completes the emotional gap in a single narrative; at the same time, in terms of philosophical thought, it also expresses the artist's dialectic between "reality" and "experience" Reflection on relationships and complex structures, trying to use the personal experience of multiple people and multiple perspectives to collage the "real" coat of a collective event, and to consider the connection between individuals and groups from a phenomenological perspective. Therefore, although the film mode of "Hero" is not novel, it is a breakthrough in the traditional narrative mode of Chinese films, and it also shows the artistic experiments of Chinese directors under the influence of Western cultural context and ideology.
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