One stroke, the script is excellent
Li Liqun's character is not an upright person, and even shows treacherousness. He is willing to become sophisticated, but later he cannot be compatible with all parties.
Miao Qianren's role is to be suspicious of literature and art. She does not love literature and art. She seeks change, not for good, but for innovation, and for a situation where she can choose and withdraw at any time. The most important thing in literature and art is self-confidence. She doesn't have it, and she really isn't this material. But she succeeded again, and her success can be seen as a kind of speculation. This kind of success is hard to last.
The rich second generation is not simple. His love came and went suddenly. He was empty and wanted to prove himself. This person looks very honest, but he is actually an asshole.
The bad girl is very hostile, and there is no contradiction in her body.
The roles of Jin Shijie and Gu Baoming are just a foil.
The impression of photography is green, and the lights in the conference room, police station, and front hall of the building use a lot of green.
The details are great, everyone's room is well designed, with a strong sense of space, the literary accent of Li Liqun's family, the old-fashioned and trendy mix and match of the rich second-generation family, the secularization of the police station, the lightness and alienation of King Shijie's company, and the bad girl's family. Degenerate gas, all add color to the film.
The action scenes are really good, the rhythm of the whole film is stiff and dull, it seems "dry" and not good-looking, and many daily details are shot without too many bits and pieces, and they are all straight forward. But the action scenes are equally crisp and beautiful. The beginning of the shootout, the final arrest, especially the bad girl's assassination of the client, are all so beautiful, "fast", "crisp", and wonderful.
The film is called Terrorist, and in the end, the protagonist collapses. Frankly speaking, does it not reach the point of collapse? In fact, it didn't. It collapsed in the end. I think there is a middle-class feeling in it. The people at the bottom will not collapse because of these things. This is all the imagination of the middle class.
Middle-class dramas have to be a little self-indulgent
Li Liqun's character finally dies, this death is not shocking, shocking, has no power, has power, but this death is still a conceptual death, just like the death of a salesman, his death is very dramatic.
All we can say is, he's damned
Does this film talk about discord between husband and wife, about feelings, two types of people, two ways of life? No, this is just a fable. The theme is still to accuse society. The tone is rather pessimistic and metaphysical. I don't like it very much, but Yang Dechang's story is well told and I appreciate the way. The group play is detailed and appropriate, and it is well-intentioned.
At the beginning, Gu Baoming waved his hand to let the second generation of Fu leave the scene. The sense of distance was handled very well, and the tone was set, which made people feel that they were in a very distant position throughout the whole story. I have always been on the sidelines, and my emotions have always been restrained. This experience is good, so I don't have a deep understanding of each character, and I am still semi-unfamiliar with their motives and psychology. I have always maintained this distance. There are also touches, but not too emotional.
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