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inertial thinking
Kale 2022-11-15 11:07:53
The thematic expressions, visual elements and story routines of the film are all Kusturica's habitual thinking. Through the twisted love story of two displaced souls, the film accuses the destruction of beautiful homes and peaceful lives by war. But the script is obviously broken before and after: the first half is about the love entanglement between refugees and villagers, focusing on the spiritual connection between refugees and refugees; the escape process of the lovers in the back is the director's accusation of the endless pursuit of refugees by the war. The director's use of animals to design bridges and create a sense of joy and atmosphere is a must, but these designs are also his usual routines and lack new ideas. The film is still absurd and uninhibited, but his own performance is rather dull.
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