Three and a half.
The last film that Tom Cruise and Nicole Kidman worked together before their divorce, presented a large-scale performance. Compared to "Cold Mountain" by the beauty a few years later, Nicole's figure is tight and slender at this time, which is the best season for women. With reference to the breakup of the marriage between the two and their separate ways, Tom’s beliefs in reality, the strong disappointment, pain and resentment she expressed in the movie, now chewing again, it is more like the true expression of the emotional outburst at the time. . The film was directed by Stanley Kubrick, director of "The Shining" and "A Clockwork Orange". It took 13 years to conceive and plan, and died four days after it was completed. It is a truly exhausting legacy. The movie is 159 minutes long and can be described as a slow pace, especially in the dialogue. Whether it is the interaction between partners, the coming and going between men, the laughing and yelling between men and women, they all hesitate to talk and stop talking about him. The conversation between husband and wife can be said to be the true and false dreams caused by marijuana anesthesia, and it seems to blurt out from the bottom of the heart when you are not awake. Faced with her husband's hypocrisy, Nicole let out a harsh sneer, mocking her husband, and frustrating their marriage. This kind of toothpaste-squeezing narrative makes people feel the squeeze of the claws and the strong sense of substitution for the character who has deliberately worked out every step of the way. For men, temptation is everywhere, beautiful young girls seem to be readily available, but behind the sweet bait is a terrible trap. Putting on the mask, in front of you is the back garden of "high-ranking officials", the garden is full of arrogance and luxury, full of sensual paper drunken gold fans; take off the mask, all the ferocious beasts of the "high society", the intriguing killing battlefield floats faintly and bloody. Because of curiosity, he strayed into a completely unfamiliar hunting world, and taking a wrong step would lead to killing. The highlight of the movie is undoubtedly what happened in the luxury villa. Under the seemingly weird and sacred religious activities with a strong cult style, what is hidden is the most promiscuous trade. In the beautiful Gothic villas, huge oil paintings of famous artists are hung, exuding the breath of the medieval Renaissance. Under the arty atmosphere, what came into view was the group sex scene of men and women in the vinegar meat forest, which was jaw-dropping and eye-opening. Compared with the shameless copulation and peace in the camera, the group of people behind them who are quietly accustomed to being accustomed to under the strict masks are as indifferent as they are watching artworks. The drunkenness of life and death in front of him made the hero guilty and stunned. The simple rented costumes and the taxi waiting for him to return at the door highlighted his incompatibility and was seen through at a glance. He tremblingly responded to the doubts of the authority in the room, and staged a The true and false "beauty saves the hero" was eventually expelled and fled. The fragrant scene, accompanied by not only the red-faced heartbeat, but also the monotonous and rapid notes of the background music, is the bottomless fear that firmly grasps the emotion, which is related to the social status of the male protagonist. He is a middle-class, an intellectual with a worry-free food and clothing, and a doctor with a good income, but he is still insignificant compared to the upper-class society of a wealthy and enemy country. He carefully kept a decent distance from the poor, begging people to do everything with money. Although in a messy home of prostitutes, facing the temptation of women to tease and feel a little at a loss, it is only the high-level hypocrisy of the middle class at work. The concept of superior class, that spontaneous sense of pride still exists. He is familiar with the habits of the poor and even the dead spots. From the sweetness of tearing up one hundred yuan and passing half of it to the taxi driver, he can see that he already knows this well. He can solve troubles politely, even though he's not used to it, he can do it with ease. The middle class, who is entering middle age, may be the most prone to anxiety and depression. The status and wealth that are inferior to the above are dangling like a bucket of water. The upper class society, like a towering dragon gate, left a group of middle-aged carps who had rushed to the forefront but had nowhere to go, confused and hesitated. Under the impact of the younger generations eager to try, they felt panic and perilous. The protagonist was invited by the upper class to participate in the banquet, not because he has truly integrated into the circle, but the actual purpose is probably just a pill to deal with emergencies. Elephants eat cats, cats eat mice, and mice can threaten elephants. In this kind of animal chess-style social relationship, the male protagonist is the cat, and his close relationship and meaning with the upper class is dealing with the mice that disturb the elephants. When he breaks away from this level of restraint, even if he wears a cloaked leather bag and a mask that symbolizes the upper class, he swaggers into this longing for holy land, shuttles through the coveted cocktail party, and faces his But it was a cold and ruthless expulsion order. In a world where the weak and the strong eat, he is still just a cat, it is difficult to be elegant. In the last minute, the humble mouse gave up and saved the cat. This kind of reincarnation arrangement adds a deeper irony. My opinion is that you don’t have to care too much about the true identity and check-in of everyone in the movie. They are all facial masks of each class. The emptiness and spiritual distortion of the upper class when the power and material reach the extreme; the middle class pursues the extreme lack of security and selfishness in the pursuit of fame and fortune; the poor class has long been crawling in the bottom life, with its own cunning and careful calculation, and At the critical moment, the magnanimity of "every more dog slaughter in the righteousness" is always
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