Annie Hall (Those who know too much are lonely.)

Walton 2022-03-21 09:01:23

After watching it twice, the first time I felt that the male protagonist was an extremely egotistical, controlling, world-weary, pessimistic, preoccupied with thoughts, and indulged in the search for death. He did develop a relationship with the female protagonist Annie. I couldn't understand why the beautiful and sunny Annie fell in love with him and became what he wanted, even beyond what he wanted. Until the second time on the park bench, Ivey used his own imagination to describe what was happening to everyone to describe the strangers he saw. This "bad taste" was very useful to Annie. Speaking of Ivey in particular, I have to praise him for his ability to seduce women. He will use a series of leftist ciphers to get close, and his second wife is also a high-ranking intellectual, but all of them have taken a fancy to the political comedian Ivey.

Allen's unrestrained, bizarre, and ironic clips in Allen's lens laugh and laugh in this romantic comedy and occasionally find his own shadow more or less there. After all, most of us need eggs.

when you like someone. Whatever he does, you will find it interesting and very cute, even calling Ivey in the middle of the night and slapping the spider with a tennis racket as soon as he arrives? But destroying the entire toilet is also a super sweet thing. When you don't like someone, even if he takes off the stars ⭐ from the sky, it will only feel awkward, boring, and extremely ridiculous to discuss the entire library of books.

I have always felt that mutual progress and going in the same direction are long-term, of course, the premise of eternal mutual attraction.

"When I was a child, my mother took me to see Snow White, and everyone fell in love with Snow White, but I fell in love with the witch." --(Anne Hall)

What makes a movie great is that it allows everyone to find their own interpretation of it, so that it can be reflected in real life.

(To be continued... Refresh your impressions every time you watch)

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Extended Reading
  • Toney 2022-04-24 07:01:03

    #BJIFF2018# The turtle-haired, tangled, talkative Woody Allen is like telling a love story that everyone experiences.

  • Aliza 2022-03-20 09:01:21

    If you only regard this film as the love that hurts the spring and the autumn and the witty talk, then it is really a genius who condescends Woody Allen. The film can be interpreted from at least three levels: the first and most obvious, this is Woody’s comment on his outlook on life and partnership. When I watched it for the first time ten years ago, I found those daily routines to be boring, but now Only then realized that he was able to condense and distill all the insoluble pains that are inevitably encountered in the interaction between introverts and extroverts, and found a very neutral director's perspective in ridicule and reflection. What a skill . The second level of understanding is that Woody, as a New York intellectual, opposes the cultural and spiritual outlook of Los Angeles. Third, the film itself is a meta-comment on the artistic creation process (like Jin Min's "Work"). Woody frequently breaks the fourth wall and uses unreliable narrators to issue soul torture to the audience. Good works deserve to be seen every few years, and the five-star is because I personally have a soft spot for the monologues of creators’ stream of consciousness.

Annie Hall quotes

  • Man in Theatre Line: [talking to his date, standing in line behind Alvy and Annie] We saw the Fellini film last Tuesday. It is *not* one of his best. It lacks a cohesive structure. You know, you get the feeling that he's not absolutely sure what it is he wants to say. Of course, I've always felt he was essentially a - a technical film maker. Granted, "La Strada" was a great film. Great in its use of negative energy more than anything else. But that simple cohesive core...

    Alvy Singer: [to Annie] I can't stand this guy. I'm gonna have a stroke.

    Annie Hall: Well, stop listening to him.

    Man in Theatre Line: [keeps talking to his date] You know, it must need to have had its leading from one thought to another.

    Alvy Singer: [to Annie] He's screaming his opinions in my ear.

    Man in Theatre Line: [keeps talking to his date] You know what I'm talking about? Like all that "Juliet of the Spirits" or "Satyricon", I found it incredibly - *indulgent*. You know, he really is. He's one of the most *indulgent* film makers. He really is.

    Alvy Singer: [to Annie] Key word here is "indulgent."

  • Alvy Singer: You know what a hostile gesture that is to me?

    Annie Hall: I know, because of our sexual problem, right?

    Alvy Singer: Everybody on line at the New Yorker has to know our rate of intercourse?