This is not eavesdropping on the storm, this is eavesdropping on the mind

Frances 2022-03-21 09:01:19

When I first saw the name of this movie, I felt that it must be a spy movie and an action movie again, but after watching this movie, I felt the quiet and indifferent nature of the eavesdropper—Weissler, which was really penetrating. This is not a storm of eavesdropping, but a mental journey of eavesdropping on the soul!

Geodreman is the best ending person in the play and the best protected person. I personally dislike him the most. I feel that there is a lack of blood in his body. When he learned that Krista was threatened, he only asked her not to go, but he had no actual actions or words to reassure his girlfriend. He also appeared to be too optimistic about the issue of publications, and he did not have the slightest doubt about the smooth completion of the matter. And it was known by his girlfriend that he didn't protect his girlfriend. After the sudden disappearance of his girlfriend, the secret police came to search the room, which failed to attract his attention. He relied on his enthusiasm to carry out the anti-government cause, but he did not realize that he paid a huge price for the people around him. At the end of the film, he wrote a book to Captain Wessler, which many people felt was unfair. He gained fame and wealth and Captain Wessler, who helped him obtain these, ruined his life, and he just wrote a book to him. But I don't think so, I think it is the most reasonable to do so.

This ending is also good

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Extended Reading

The Lives of Others quotes

  • Georg Dreyman: The state office for statistics on Hans-Beimler street counts everything; knows everything: how many pairs of shoes I buy a year: 2.3, how many books I read a year: 3.2 and how many students graduate with perfect marks: 6,347. But there's one statistic that isn't collected there, perhaps because such numbers cause even paper-pushers pain: and that is the suicide rate.

  • Hauptmann Gerd Wiesler: Madam?

    Christa-Maria Sieland: Go away. I want to be alone.

    Hauptmann Gerd Wiesler: Madam Sieland?

    Christa-Maria Sieland: Do we know each other?

    Hauptmann Gerd Wiesler: You don't know me, but I know you. Many people love you for who you are.

    Christa-Maria Sieland: Actors are never "who they are."

    Hauptmann Gerd Wiesler: You are. I've seen you on stage. You were more who you are than you are now.

    Christa-Maria Sieland: So you know what I'm like.

    Hauptmann Gerd Wiesler: I'm your audience.

    Christa-Maria Sieland: I have to go.

    Hauptmann Gerd Wiesler: Where to?

    Christa-Maria Sieland: I'm meeting an old classmate. I...

    Hauptmann Gerd Wiesler: You see? Just now, you weren't being yourself.

    Christa-Maria Sieland: No?

    Hauptmann Gerd Wiesler: No.

    Christa-Maria Sieland: So you know her well, this Christa-Maria Sieland. What do you think - would she hurt someone who loves her above all else? Would she sell herself for art?

    Hauptmann Gerd Wiesler: For art? You already have art. That'd be a bad deal. You are a great artist. Don't you know that?

    Christa-Maria Sieland: And you are a good man.