The heroine perfectly interprets the self-the self is fragile and will protect itself when it is hit, comforting herself that "the husband fell down", this is a self-protection mechanism, and the doctor's theory is correct. But the ego is also strong. When there is no doubt about something, it dares to confront the authority and the masses, without compromise and never giving up. Everyone has their own persistence. The heroine's persistence is maternal love, which is great. Even a small perseverance is valuable. This is human personality. people, and therefore unique.
The captain, the marshals, the flight attendants and the absent morgue administrator tried to deduce authority. But unfortunately, the captain's aura is too weak and has no domineering. Once again, I can't help but praise the captain of my country Southern Airlines "I have undergone rigorous training, have the ability to control the situation well, and have the ability to safely send everyone to land"! The final apology didn't feel touched, not like a tough guy, just an old guy. The marshal is so weak as the villain, and since he jumped upside down, the movie won't look good. He suggested that the captain should not show his professionalism and do bad things, not as good as the heroine. The power of fascination is so weak, how to lure and seduce the flight attendant, and casually invite others and yourself to commit crimes, who does it? Apart from her iconic smile, the flight attendant really has nothing to do. At any rate, she will come out and do her due diligence in the event of an emergency to set off the atmosphere. In the end, whoever does not show up in the morgue will be arrested so quickly. The German police are so efficient? A "will investigate in detail" can completely end it. There is also a doctor who is half of it, because she is also influenced by authority. On the whole, the authority is not strong enough, there is no management of the masses, and there is no effective persuasion of the heroine (this is not inconsistent with the heroine, the more powerful the persuasion, the more drama), always saying "no one sees", you guys Anyway, get some paper passenger lists, professional professional experience, years of working experience, unshakable rules and regulations, etc. to oppress people, they should be authority figures, without a sense of authority.
The eyes of the masses are really enough for drama, but unfortunately there are too few scenes and too hard. Nothing but a few indifferent stares, two compliments, and uncontrollable yelling, too unnatural. There are individuals in the group, there are multiple voices and multiple opinions, but when forming collective opinions, they tend to believe in authority, trust common sense, and tend to simple explanations. Under the setting of "not paying attention", everyone should collectively eat melons, keep silent, and be confused. The collective indifferent stare is too fake, and there is no evolution process.
The whole plot is that the individual is challenged by the authority, the masses are ignorant, the authority overwhelms the individual, the masses believe in the authority, criticize the individual, praise the authority, the authority changes its taste, the individual fights the authority, the masses block, defeat the authority, the masses change, and praise the individual. However, the focus of the film is not accurate, and the dramatic conflict is not enough. The director is satisfied with the indifferent eyes of the masses and the authoritative promotion of the plot, and does not continue to unfold. Instead, he has put too much effort into the suspense at the beginning - however, these latter suspense have no text. The two Arabs weaken the plot and add racism (this phenomenon is common, reverse reasoning is easily implied by the result, that is, the daughter is missing - should have seen you - you must be related). It would be better to delete this paragraph and add "I saw something wrong with her" when the masses praised the authority. The climax of the whole play should be the change of authority, the transformation of the marshals from punishing evil and promoting goodness to revealing the fox's tail, the captain's self-confidence shaking from calm and composure to being strong in the outside, and the flight attendant from discouraging the heroine before to fearing behind. The heroine's front and back are respectful, none of these things. The climax of the whole drama is that the heroine incarnates Michael "unless I made the plane", and the rest is pure slaps.
And it's okay to take dim sum in a fight. The villain closes the cabin door with his back to the heroine. I don't know that facing the heroine is more intimidating, and the people under the plane are more handsome when they see their backs? The heroine uses a fire extinguisher as a hammer, even if she can move it, she has no speed. The marshals can't even dodge this. You throw something handy to break your eyebrows, blood pours into your eyes and you can't open them, not only does it not affect the plot, It can also add effect. The punch to the flight attendant is even more powerless. If you want to hit you, you will tear it apart. Girl fights are very interesting. One is a flight attendant, or you will attack your conscience with words. You shouldn't be this kind of person, he's crazy Unlike him, please give my daughter a chance, and give me a chance, you will have children too, Please." Just let her go down, this punch is meaningless. In the end, when you want to explode, let's learn from the great success of "Prison Break". What is the most handsome is the popular science before the destruction, and there is a child in his hand, a ready-made object of popular science. "2Kg plastic explosive, 20m away, do you know what it is, baby? 5.0mm carbon steel plate is the explosion-proof door, we will be safe behind this." This is the complete line.
After reading a lot of comments and criticizing the screenwriter, the screenwriter's idea is still very good. The rhythm of the plot depends on the director, and the aura depends on the actors. The screenwriter just failed to arrange everything well, and that is impossible. A good movie should be adapted from a second-rate script - so as to give the director room to play. All I can say is that this film is not focused enough, it's a pity Judy.
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