The first 10 minutes of the
film still feel like speed and passion. The next 100 minutes or so is a huge collection of disasters. After watching the movie, I can fully understand the money of the producers and the generosity of the advertisers,
all kinds of huge scenes and big pictures. Commercials from various car companies, interspersed with plots
copied from other movies , finally created such a bizarre movie.
Nuclear provokes whoever, and it is always used as a pretext. Nuclear shows that it does not carry it back.
In the movie, the skirts of the big girls and the daughters-in-law feel shorter, the waist is thinner, the movements are more fake, and there are fewer extras.
An American movie has to perform a New Zealand Maori haka war dance, what does it mean? . . . .
I watched it with the feeling that I wanted to recall my youth, but after watching it, I missed my youth even more,
so I went home and silently opened iQIYI, and revisited Tokyo Drift.
Maybe it's because I'm a drift lover, and my love for Fast and Furious stayed in the Tokyo Drift chapter of Fast and Furious 3.
At that time, there were no big scenes, big special effects and big pictures, and the protagonists didn't need to save the earth,
just like us when we were young There is no need for any social burden, just love the car and the girl.
It’s better to miss seeing each other. No wonder the Chinese version of the poster is in black and white
because I was about to light two white candles and put three sticks of incense on the poster when I got home.
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