The production team played a lot of games, watched a lot of Hong Kong movies, and read a lot of philosophy books... I admit that your gun models and car models are doing very well, but the middle-school couple who wrote Kuze and Motoko as underground student sports dens were indignant Transforming into terrorists and electronic pets... Hollywood should also pay attention to cultural differences and translations, okay, this is still the East in the eyes of Westerners. At least you can read two more Deleuze Baudrillards? ? ? Major's raincoat is good, I want a [cover face] but sister widow's open mouth acting [cover face] [cover face] [cover face] Also, although the end of the film is a genuine puppet ballad, I feel more and more that the product is not the right version.
Why do we talk about Hollywood? Because this is a version of the adaptation from the perspective of globalization, the political and national historical backgrounds are all blurred and overhead, so that Motoko's prescribed action to find himself has completely become a signifier without reference in personal identity. At the moment of disintegration, even if it provides a symbolic oriental family as a home for the Yitai people, it is still unavoidably blurred in the gorgeous consumer society-style Xingang Capital. And what can be found? Does personal identity still exist in such a mobile society? This proposition was put forward 20 years ago, which shows the pioneering nature of the Attack in the Shell series. It also shows that we are currently powerless in the face of the unsolvable world, and perhaps what the production team wants to express is that even if the physical body is cyberized, we still need Alleviating the soul's thirst in a relationship [smile]
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