Attacking the Shell once again proves that Hollywood will only make a few changes

Chesley 2022-03-23 09:01:34

When it comes to Hollywood adaptations of Japanese comics, its level of badness and failure is worse than that of changing the game, not to mention the cyberpunk masterpieces like Ghost in the Shell, both in terms of ideological content and expression. Now, it can be said that Oshii Mamoru's two theatrical versions of Pearl and Jade came first, and any adaptation would have great pressure, not to mention the difficulty of going through two or three dimensionalization, oriental and westernization, Hollywood's adaptation of Oriental Wenhua has always been to the point. , often just set up a framework and template, or in other words, in the Jin and Yuan era, people didn't really want to get a deep understanding, and it was enough to sell it. It is such an environment that has created countless failure cases, and many lines in Japanese comics have become English, after being spoken by a real person, seems to be incomparable. There are so many tragedies ahead, so we don't have unrealistic fantasies about attack in the shell. We just hope that it can apply Hollywood formulas, high-concept blockbusters, and go into the plot, lead out the central events, and experience twists and turns at the end. successfully resolved. I'm very satisfied, don't mess around with some things that don't end up being four dissimilars.

But this film is not so smooth. The first half and the second half are obviously not at the same frequency. Except for the opening scene, the first half is very boring. It can be said that it is the same as nbcs. The plot, but very boring, is just a mechanical switch from scene to scene, and the film itself has no style at all. After all, it is a Western story in an oriental coat. All the performances, lines, and suspense are very Hollywood. The independent structure is handled very badly. The reason for this situation is that I think it is too late to bring out the central event. Different from the original animation, the theme of this film is more like the major's personal self-cognition. This self-awareness The exploration process of the story also officially begins in the second half, so the first half of the story does not involve the core of the narrative, but only promotes the development of the plot mechanically. Until the puppet master is found, the suspense of the whole proposition appears, so it seems that the first half The paragraphs are aimless and unattractive.

Personally, I am quite satisfied with the second half of the episode. After the major's doubts about his identity, multiple story lines were triggered. The identity of the villain of the puppet master was switched with the manufacturing company, and a series of wonderful content began, and the degree of reduction was still very high. Well, for example, the plot of the pursuit in the water, I feel that the animation is changed to be good enough. At the same time, it has a cold atmosphere in the animation version for a period of time. The people watching are very excited, but the battle at the end is relatively rushed, although the plot of the animation is restored. , but the sense of crisis and tension is not enough, and the moment of breaking the arm is not shocking enough. It gives people the feeling of restoring the plot, but I don't know its essence.

Speaking of the adaptation of the character of Major, I feel that compared with the animation, she is less bold and calm, looks a bit stunned, and is often confused and fragile. The center of the narrative is also completely placed on her. As mentioned earlier, the whole story is about the mystery of her life experience and her sense of identity with her prosthetic identity. Finally, it is thrown out that it is not important who is important. The point is that chicken soup-type sentences like what are you doing are basically irrelevant to discussions such as self-awareness.

To sum up, this adaptation is not useless, but the structure is too flawed, there are not many bright spots, and more importantly, it lacks its own style, and the visual effects are still eye-catching. Scarlett Johansson is a feast for the eyes. For many roads, May watch the whole process with a cold face

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Extended Reading

Ghost in the Shell quotes

  • Batou: [Batou just got new eyes] Say something nice.

    Major: You chose those?

    Batou: They're tactical.

  • Major: Tell me who you are.

    Kuze: I am that which you seek to destroy. In this life, my name is Kuze.

    Major: What are you doing to me?

    Kuze: I have connected you to a network of my own creation. When I am finished in this world, my ghost can survive there and regenerate.

    Major: What do you want from me?

    Kuze: I became fascinated with you, reading your code while you were inside that geisha. Like nothing I had felt before and yet so... familiar. We are the same.

    Major: We are not the same. You kill innocent people.

    Kuze: "Innocent", is that what you call them? I am as they made me.

    Major: Who made you?

    Kuze: What have they told you? That you were the first? The first cerebral salvage? You were born of lessons took from my failure.

    Major: What are you talking about?

    Kuze: I was conscious while they dismembered my body and discarded me like garbage. I was lying on a table, listening to doctors talk about how my mind had not meshed with the shell that they had built, how Project 2571 had failed, and they had to move on to you.

    [removes a piece of Major's face]

    Kuze: What a beauty you are. They have improved us so much since they made me. They thought we would be a part of their evolution, but they have created us to evolve alone... beyond them.

    Major: "Evolution", that's what you call killing everyone who made you?

    Kuze: You're not listening to me.

    Major: You're a murderer.

    Kuze: They tried to kill me first. It is self-defense; defense of self! More will die until they tell me what they took!