"Home in the Snow" director Puyou's ability to arrange scenes is truly breathtaking. A narrow space, several crowded rooms, and several relatives and friends shuttle through it. It seems to be just an ordinary family gathering, a family mass, but nearly three hours of documentary details, off-screen dialogue, and characters on the wheel are all being tested. With our patience, we squeeze our minds with urgency. There are only two outdoor scenes, and there is no pressure of relaxation. The external hammering of society has intensified the contradiction in real family life, and this contradiction will never be resolved. Even belief is a mere formality. There is human nature and there is skepticism. But not only that, Puyou pushed the issue to the deep-seated contradictions in the society, as well as political torture. At the same time, he also mocked the national nature of following the trend. For example, he swarmed to see the new situation of the strange girl at the end of the film, which metaphorically expressed people's feelings about the unfamiliar girl. Alienism and theoretical curiosity and obedience. But it's all yet to be resolved, or when you see that you've been tricked by more sophisticated political liars, you'll have to keep looking for a way out.
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