However, due to the identity of the male protagonist, black slaves and colonialism are opposed to the British aristocratic blood of the male protagonist John Clayton. It also makes Tarzan who grew up in the jungle and John Clayton who returned to the civilized world. become divided. Although the film strives to emphasize a theme of anti-colonialism and the struggle for the liberation of black slaves, elitism is too strong. Although John Clayton, a British aristocrat, is under the banner of liberating black slaves and equality between man and nature, the film also intentionally The propaganda of his bravery and fearlessness as Tarzan, but these are difficult to match the fact that he finally gained the identity of the colonial tribe as the elite of the British aristocracy and led the natural animals to fight against the aggression. Therefore, although "The Return of Mount Taishan" praises the liberation of black slaves and promotes the political correctness of the equality of all things, it cannot hide the difficulty in reconciling and agreeing with people's spirit behind these so-called correctness. This contradiction between themes and characters further highlights the heroic individualism and elite complex in the United States.
In addition to the embarrassment of the theme and the characters, the film always reveals a sexy temptation. It uses the strong figure of the male protagonist and the beautiful face of the female protagonist as the capital of temptation, and at the same time, a large number of special effects are used to beautify the environment and atmosphere of the film. , although it is spectacular, it loses its mood. This is like the dazzling skills with the theme of challenging the limit in "Extreme Thief". Although it is exciting, it is not conducive to the complete expression of the film. The inner connection of emotions is also difficult to resort to because of the grandeur of the scene. detail.
The superb special effects technology of "The Return of Mount Tai" can hardly hide the blankness in its content. Although the story is relatively coherent, the plot designed for technology is not destined to be the attitude of a drama film. Technology should be used as an auxiliary of the film instead of being the protagonist of guiding the content. This will put the cart before the horse and destroy the integrity of the film's art.
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