Plemton's unique style of painting and various exaggerated and changeable angles are what I like very much, praise him!
Like an artist, he combines holy, a word that doesn't have anything to do with stupid worldly people, with just the right amount of subtlety. The male protagonist's mundane and vulgar thinking in the film is real and disgusting, but it is this kind of filth that can bring holiness to the cloud. How different we are in life, our irritability, our selfishness and our obscene thoughts have not appeared before, Plemton just exaggerated the worldliness of the male protagonist. Even if the persistence of the wings makes the male protagonist annoyed and resists, the male protagonist will not use the pair of wings. Resisting holiness, resisting our own heart, it is not that we have never done this kind of thing. We are all afraid that holiness will hurt ourselves, so we keep a safe distance from holiness.
What happened later, the use of wings by people like the boss doctor, and the rebirth of the male protagonist, I couldn't help but be moved. The popular drama of justice defeating evil is novel and interesting, and various anthropomorphic and sound effects make people enter the drama.
I also especially like the introduction at the end, which indicates the arties, and does not subdivide the director, screenwriter, etc., as if Plemton respects the performance of the workers, and takes the same freeze-frame form as the film, which is very interesting.
In particular, if it is made into a real person, it will definitely be classified as horror and horror. I really feel pain when the male protagonist cuts his wings.
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