These people are accustomed to extracting the most topical label from the many original attributes of the work. They don’t care what kind of motif the film revolves around, what kind of story it describes, what kind of role it plays; Before the film, they used the flimsy and crude judgment of "black, basic and poor, so I won the award" to deny the rigorous and professional aesthetic process, narrowing down or even obliterating the connotation of the film; Minorities compromise unprincipled"; they are sure that the screen achievements of the minorities must be taken care of by "political correctness"; To appreciate and comment on a work that is "unconventional" with calm and respect; they use narrowness and hostility to build the "black/sex/women's film" barrier in the evaluation system; these people are destined to be unable to adapt to contemporary film civilization.
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