6.0 points.
It’s just photography that attracts me, especially the pictures in cool tones, such as the long shot of the hand-held photography of the farm at the beginning, in which the square frame of the interior scene and the round frame of the edge blur + superimposition of the exterior scene look a bit interesting, but thin. However, Si found that his impetus to the narrative was 0, and the male protagonist also appeared deliberately designed to disrupt the above rules of painting after his illness.
Two points are impressive, one is the close-up record of the child's life, and the other is the scene of the decapitation and the blood that followed.
There are too many scenes with strong metaphors in the plot, and the audience is deliberately alienated, which makes the originally simple story boring and inaccessible.
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