In the handling of the story, its maverick mysticism is eye-catching, especially the many important plot twists led by the protagonists Cooper and the Palmer family, which are mostly intuition, epiphany and even synaesthesia as an opportunity, which is quite intriguing , of course, the screenwriter also set up the purely deductive method of Donna and his party as a balance, but this side is mostly used as a footnote for the integrity of the story, and has not played a decisive role.
In general, as far as the first season is concerned, except for Hank who only appeared in the second half and the masked man who is still in the shadows, the characters of the main characters in the play are basically established, and the distinction is high and vivid and delicate; The relationship between them is also basically sorted out, which further contains a critique of fetishism and dehumanization in the context of capitalist industrialization. The above two aspects are the focus of this season's narrative, but the core suspense and the worldview based on this have not been revealed much, so there is still a big tail at the end of the season. I hope Lynch can use the 22 episodes in the second season. The space first explains the worldview clearly, and basically solves the main story, and finally gives each character story a reasonable ending.
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