After watching the second part, the only feeling is how sacred Wen Ziren is. How unique the taste must be, the horror films produced can have so many bizarre and magical existences; how high the IQ must be, so that the dug holes can be filled with meticulous logic; Only then can we create a terrifying and terrifying road that no one has ever set foot in before. His routine is that there is no routine. When you put your head under the bed, you think there will be ghosts, but in fact there are not. Then, he'll scare you abruptly when you let your guard down. The so-called surprise victory is probably like this.
Some people in the comments said that Director Wen showed his face. I didn't pay attention to it. I went back and looked again, and there are Easter eggs. At about 33 minutes and 33 seconds of the film, there was a group photo of the three people on the computer wallpaper opened by the Ghostbusters duo. Although it flashed by, the benefits should not be missed. There are many such "little interests", such as the masterpiece lurking on the blackboard of the first book, and the "VALAK" logo placed in several places in the second book. But the most surprising thing is that the screenwriter Ray Warner himself participated in the role. It feels great to be able to add a play to yourself at any time.
The most outstanding part of the second part is that it explains several doubts in the first part. The two complement each other and form a series of works. Compared with the first part, I feel that the second part is not much high-energy, and it focuses on storytelling and how to tell the story well. In one scene, the male protagonist was disturbed by a knock on the door, and when he went downstairs, he found that there was no one outside the door. But then the door was opened for no reason and the alarm was triggered. Second, the story scene is reproduced here. It turns out that the real man in the form of a soul knocked on the door. He broke into the door to save his wife and children, and by the way achieved a reconciliation with the old woman. There is also the inexplicable piano sound that is not sneaky, but the male protagonist is trying to establish a connection with the female protagonist and play her music, but he cannot break the barrier. In addition, the ghost-hunting duo used high technology to analyze the finger in the video tape of the young male protagonist, and the adult male protagonist exists. He cooperated with the old man and the old man to ask for directions, and the young man gave them directions. In fact, the old man opened the door, but in reality, they thought that the door opened automatically. This scene can also be regarded as echoing the male protagonist of No. 1 Middle School who was lost in the enchantment. Let the young male protagonist guide him to find his son. So the setting in the film is that the soul world does not have the dimension of time? I think all people who can justify themselves are capable people.
The old man's dice-rolling skills are on par with the traditional oriental pen fairy and dish fairy, but in terms of the title of psychic medium, he is still slightly inferior to the old lady. The ghost-hunting duo are funny and responsible. The key moment is not what the password should be called, but you should go and save people. At the end, the eldest son used his unique ancestral secret book to successfully rescue his father, and the "local phone" contributed greatly. The old lady continues to respond to the call of "wherever I need, I will run to" in the form of soul, and serve the people!
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