Godard's films are particularly directed towards proof rather than analysis. Whatever You Want This film is a show and an illustration. The film shows what happened, not why it happened. The film exposes the ruthless nature of what happened.
The entire movie can be seen as a text. A text about the clarity and seriousness of research.
Godard's discourse on liberty and responsibility in this film essay comes from Montaigne: lend yourself and send it; give yourself to yourself. "The life of a prostitute is certainly the most radical metaphor for this borrowing and sending of herself. But if we ask Godard how as we show Nana has kept herself for herself, the answer is this: he doesn't show, he just That's it. We don't know Nana's motives, we just watched it from a distance as a reference. The movie eschews all psychological descriptions, without any attempt to explore emotional states or inner pain. Gorida told us about Nana Knows that she is going to be free. But this freedom is not from the heart. Freedom is not from the inside, or from the mind, but from the physical beauty, to be what it is. In the first chapter, Nana told Paul: "I want to die. "In Chapter 2, we see her trying to borrow money and trying unsuccessfully to get into her apartment through the janitor. In Chapter 3, we see her crying in the theater. In Chapter 4 During the festival, at the police station, she wept because 1,000 francs had been stolen; she said: "I wish I was someone else. "But in Chapter 8, Nana has become herself. When she walks into the street, she is not only affirming herself but also leading to the end of her life. Only as a prostitute is Nana herself. This is in Chapter 8. Nana said calmly like another prostitute, Yvette: "I am responsible. I look back, I am responsible. I raise my hand, I am responsible. "Freedom means responsibility. When a person is free, responsibility also comes with the awareness that things are themselves. So in Nana, like Yvette's rhetoric ends like this: "The plate is the plate; the person is the person; life is …Life. "
The objectionable part of the film is not that it ends abruptly. In fact Godard makes a clear reference to outside the film, that the person who plays the role of Nana is his wife. He is making fun of himself who is unforgivable." The story. I
don't want to turn it over... dumplings...
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