Nice musical and heroine like a donkey

Isabel 2022-02-07 14:45:34

Very classic musical, I have only seen Moulin Rouge and Chicago, but the musical rehearsal of this one is very good, except for the final male protagonist, yy, the great harmony of life, I like the pianist lying on the bed and daydreaming the most. a paragraph. I remember a lyric: it's him, it's him, it's him, ours..., that daydream is him, it's him, it's all him, haha. I don't know if there is a small detail that anyone noticed. Even the audience named bravo at the end has the face of a pianist. It makes people think that after the daydream is over, the pianist applauds his performance loudly and loves it very much. , it also resonates with me who loves daydreaming. Although from a plot point of view, that part is quite redundant. In fact, the pianist is only a function of connecting the male protagonist and the male, and it takes too much pen and ink to show the burden. Maybe it's because the daydream was so exciting that the director was reluctant to delete it.

In addition, this is a very early stage of the victory over Qingmei. However, I personally think that the actress of the heroine is inappropriate, with buck teeth and a long face, like a donkey. And the hostess is not likable, not to mention stepping on two boats, quite a bit of the feeling of eating in the East and staying in the West. The male protagonist is a typical prodigal son. He didn't love you, he fell in love with the feeling of love at first sight in Paris.

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Extended Reading

An American in Paris quotes

  • Lise Bouvier: Jerry, if it means anything to you, I love you.

  • Milo Roberts: [after watching Jerry dismiss a young woman looking at his work] Do you mind if I have a look, or will you chew my head off too?

    Jerry Mulligan: No, you're all right.

    Milo Roberts: Oh, thank you.

    Jerry Mulligan: She's just one of those third year girls who gripe my liver.

    Milo Roberts: Third year girls?

    Jerry Mulligan: Yeah, you know, American college kids. They come over here to take their third year and lap up a little culture. They give me a swift pain.

    Milo Roberts: Why? They're harmless enough.

    Jerry Mulligan: They're officious and dull. They're always making profound observations they've overheard.